First 10 Research Works Published as Part of the Kosovo-Serbia Research Visiting Program

Reconnection News

By December 2024, ten participants of the Kosovo-Serbia Research Visiting Program finalized their research projects. This program brought together five researchers from Serbia and five from Kosovo with the goal of fostering regional cooperation and creating a platform for individuals motivated to conduct research on the relations between two societies. The topics they explored include cultural heritage, dealing with the past, socially engaged art, nationalism in music and pop culture, and more.

In June 2024, as part of the program, the group from Serbia visited Pristina and Gračanica, while the group from Kosovo visited Belgrade. During these visits, the researchers engaged with over 20 organizations, university professors, activists, and artists. They had the opportunity to meet with academics, cultural workers, and activists such as Jelena Lončar, Idro Seferi, Jeta Xharra, Vladimir Arsenijević, Vesa Qena, Siniša Volarević, Mila Mihajlović, Enver Petrovci, Shpetim Selmani, and Visar Krusha.

The researchers also visited various organizations, including the Humanitarian Law Center, Youth Initiative for Human Rights, Helsinki Committee for Human Rights, Belgrade Centre for Security Policy (BCSP), Institute for Territorial Economic Development (InTER), National Youth Council of Serbia (KOMS), Regional Youth Cooperation Office (RYCO), European Policy Centre (CEP), BIRN Kosovo, Kosovo 2.0, Musine Kokalari Institute, Qendra Multimedia, Artpolis, Integra, Oral History Initiative, Foundation 17, Civil Rights Defenders, and others. These visits provided the groundwork for the participants’ research, which they developed and completed over the following months. Below, you will find the biographies of the program participants and links to their final research papers:

Nemanja Kidžin, Belgrade, Serbia

Nemanja Kidžin is a PhD candidate in psychology at the University of Belgrade and a research associate at the Institute of Psychology in Belgrade. He has primarily focused on the psychological impact of acting on empathy, personality, and dissociative experiences, although his research area is broader and includes the study of acting and theatre from various social science perspectives. In this project, Nemanja explored the work of theatre actors and organisations from Kosovo and Serbia that engage with socially relevant topics in their artistic work. Given the history of collaboration between societies from Serbia and Kosovo, Nemanja’s research focused on how this collaboration functions, what its goals are, and what its effects are. Artistic and non-governmental organisations from both communities achieve fruitful cooperation, which stands out against the political climate of neglect and isolation in which they operate. Joint projects they work on, regardless of political boundaries, fill a communication vacuum and have an emancipatory effect on society. The political and social context in which they create has a multifaceted function. On one hand, it represents a limiting factor and a barrier to greater achievements, while on the other, recognition by political structures stands out as one of the main goals of their work.

You can download his research HERE.

Albulena Mavraj, Pristina, Kosovo

Albulena Mavraj is a journalist with experience primarily in print media in Kosovo, focusing on economic and political issues. She graduated from the University of Hasan, Pristina with a degree in journalism and also completed her master’s studies in Mass Communication and Journalism. Albulena was awarded a scholarship from the European Union and participated in the ERASMUS program, attending studies for one semester in Norway at NLA College as part of the Global Journalism program. Her research aims to explore economic cooperation between Kosovo and Serbia, specifically examining export and import policies and statistics. Despite the ongoing political challenges faced by both Kosovo and Serbia on their path to peace, trade between the two countries remains the most significant in terms of both exports and imports. Albulena used a qualitative approach in her research, conducting interviews with relevant stakeholders from both Kosovo and Serbia.

Her work was published on BuletiniEkonomik, and you can download her research HERE.

Nevena Rudinac, Belgrade, Serbia

Nevena Rudinac is a researcher and activist with a particular interest in addressing the past. She works at the Youth Initiative for Human Rights in Serbia, where she contributes to the development of the Transitional Justice Program. She holds a master’s in psychology from the University of Belgrade and is currently pursuing a master’s in political science at the Faculty of Media and Communications. Her paper examines the contested collective memories surrounding the Kosovo War, particularly the differing narratives between Kosovo Albanians and Serbs. It highlights how collective memory is shaped by political interests and plays a crucial role in nation-building, with Kosovo Albanians framing the war as a liberation and Kosovo Serbs viewing it through the lens of victimhood. The paper discusses how memory activists challenge these dominant, often state-sponsored narratives by promoting marginalized voices, such as those of victims of sexualised violence and anti-war protesters. The research underscores the difficulties that activists face in changing the deeply entrenched memories of the war, as it is tied to personal and political identity.

You can download her research HERE.

Merita Hasani, Mitrovica, Kosovo

Merita Hasani is a legal professional from Mitrovica, with extensive experience as a legal assistant and researcher. She has a background in transitional justice related to the Kosovo-Serbia conflict and is an active feminist advocate working on women’s issues in the Balkans. Over the past five years, she has focused on promoting gender equality and social justice in her community through activism and volunteer work. Merita also completed an internship at the Humanitarian Law Center in Belgrade, gaining insights into human rights and legal advocacy. Her research explores the legal challenges faced by Kosovo Serbs, particularly concerning citizenship rights, and examines how these challenges impact both peace and conflict in the region. She aims to provide a deeper understanding of the human stories behind the legal issues, emphasizing the importance of addressing legal injustices while fostering dialogue and reconciliation in a historically complex region.

You can download her research HERE.

Katarina Mladenović, Belgrade, Serbia

Katarina Mladenović completed undergraduate studies at the Faculty of Dramatic Arts in Belgrade, in Management and Production in Radio, Theater, and Culture, and her master’s degree in Scene Architecture and Design at the Faculty of Technical Sciences in Novi Sad. She participated in the production of various cultural projects in Serbia, after which she continued her education in Indonesia, where in 2023, she completed her master’s degree in Anthropology at Gadjah Mada University, focusing her research on the anthropology of space and the heritage of cultural landscapes. In this project, her research focuses on the intersection of national identity, belonging, and the emotional landscapes of post-conflict societies, particularly in the context of Serbia and Kosovo. Katarina examines how historical narratives, collective trauma, and past conflicts perpetuate mistrust and obstruct reconciliation efforts. Central to her research is the exploration of identity crises, especially how fear of the ‘other’ shapes national identity and geopolitical relations between Serbia and Kosovo. She also explores the impact of cultural significance, territorial ties, and historical myths on national pride and collective memory, which profoundly influence the current relations between the two societies.

You can download her research HERE.

Butrint Avdyli, Peja, Kosovo

Butrint Avdyli is a journalist from Peja, Kosovo. He completed his studies at the University for Business and Technology in Prishtina and further pursued a master’s degree at AAB College. Since 2016, Butrint has been working for Telegrafi, the largest online media outlet in Kosovo, initially as a journalist and currently as an editor. Throughout his career, Butrint has conducted numerous interviews with notable personalities and has covered important topics related to culture, art, youth, as well as environmental and health issues. He is the recipient of two prestigious awards: the Best Video Story at the journalism competition organised by RYCO and Deutsche Welle in 2023, and the Media Award in Kosovo from the TrustBuilding Platform, organised by UNMIK, recognizing his outstanding commitment to journalism. In addition to his media work, Butrint contributed to RYCO in 2024 by producing several articles for the Hajde Platform. He has successfully secured two journalism grants awarded by CBM and USAID Kosovo. In his research, Butrint wanted to highlight the achievements of Albanian artists in the vibrant cultural scene of Belgrade, with a particular focus on the legacy of the actor Bekim Fehmiu. Central to this exploration were in-depth interviews with relevant cultural actors who were familiar with the legacies of post-Yugoslav movie and theatre scene.

His work was published on the Telegrafi portal. You can download his work HERE.

Anđelija Stanimirović, Niš, Serbia

Anđelija Stanimirović graduated in communications from the Faculty of Philosophy at the University of Niš. She is currently pursuing a master’s degree at the Faculty of Political Sciences in Belgrade, specializing in Elections and Electoral Campaigns. Her academic interests include studying various forms of propaganda, identity formation processes, and political ideologies. In her research, Anđelija explores the presence of nationalism in public discourse and popular music, as well as how identities are shaped by propaganda narratives and political campaigns, particularly among young people. Based on fieldwork and theoretical research, her work identifies numerous examples of harmful narratives that may contribute to fueling conflicts between the Serbian and Albanian communities in the territory of Kosovo. Young people represent a particularly vulnerable category for such narratives, as they are in a specific stage of life where attitudes and identities are being formed, often making them the primary participants in interethnic incidents.

You can download her research HERE.

Azem Deliu, Pristina, Kosovo

Azem Deliu has a bachelor’s in Albanian literature from University of Pristina and works as executive creative director at Horizon Plus. Azem was honored with the prestigious Distinguished Student Award for his first poetry volume, The Funeral of Rain (2013). His first novel, The Illegal Kisser (2016), became a national bestseller and has already been translated into English. Interest in the author is also growing in other countries. The French press has called him ‘a great author from a small country’ and ‘the new star of European literature’. His novel Notes of the Worm Smolinski was translated in Serbian, Bulgarian, Macedonian, and Turkish and was shortlisted for the European Union Prize for Literature 2020. Azem aimed to analyze street art and chants of sports fan groups in Serbia to address messages from the other side, as well as messages from one’s own groups and group identities. Azem intended to use comparative literature techniques to compare intertextuality, interculturality, terrains of influence, and relations of the expressions with the past and present, as well as the projections some of them have for the future. These reflections are written in narrative essay form.

You can download his research HERE.

Uroš Popadić, Belgrade, Serbia

Uroš Popadić is a PhD candidate in Political Science at the University of Belgrade, with a focus on Peace and Security Studies, writing about the role of the EU in peacebuilding in the Western Balkans. At the faculty, he is working on a project at the Centre for Peace studies (the Balkan Peace Index), and at the Centre for International Security. He is the President of the Research Forum at the European Movement in Serbia, where he is also a part of a project of the European Institute of Peace on regional cooperation and reconciliation. Uroš has published two books at the European Center for Peace and Development, as well as several scientific articles. Uroš explored how culture and intercultural cooperation can contribute to reconciliation, through an analysis of peacebuilding efforts among cultural organisations and civil society organisations in Belgrade and Prishitna. His research was based on interviews which were founded on the theoretical ideas of social identity theory and the culture of peace. He investigated the understanding of ideas, narratives, identities, and concepts in the popular imagination, in the context of the search for a shared European identity. He found many commonalities between the two communities, with a shared interest in cooperation and understanding in the fields of art and culture. He also found that both communities have the same fears and worries of the political reconciliation struggle, with negative official rhetoric harming intersubjective peace.

You can download his research HERE.

Albina Kastrati, Podujevo, Kosovo

Albina Kastrati is a young journalist with a background in activism and Kosovo-Serbia relations. She holds a Bachelor’s degree in Journalism from the University of Prishtina and has gained experience working at Gazeta 10 and interning with Deutsche Welle. Additionally, she completed an eight-month fellowship with Radio Free Europe and is currently with BIRN. At Balkan Transitional Justice, Albina’s investigative and creative writing skills contribute to a deeper public understanding of regional issues. Committed to journalistic integrity, her role involves synthesizing research, storytelling, and cultural insights to inform and empower audiences. Her work at Radio Free Europe/Radio Liberty has further honed these competencies, underscoring her dedication to rigorous and enlightening journalism. Her investigative work with Heartefact focuses on the complex dynamics of integration and identity in the Balkans, particularly between the Albanian and Serbian communities. Through personal stories and experiences she explores the challenges of integrating while navigating cultural differences, historical tensions, and misunderstandings between assimilation and integration.

You can download her research HERE.

This program was carried out as part of the project “Enhancing Cross-Border Cooperation and Civic Engagement in the Western Balkans,” which Heartefact implements with support from the National Endowment for Democracy (NED).

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The grants for cultural and artistic projects are awarded for the development and implementation of socially relevant contemporary art projects that contribute to the enrichment of culture and promote diversity in artistic practices and expressions, address critical social issues, and encourage community development.

Young Artists and Activists from Serbia Visited Festivals in Pristina and Prizren as Part of Heartefact’s Visiting Program

As part of Heartefact’s Kosovo–Serbia Visiting Program, we organized a visit in early August to festivals in Pristina and Prizren for a group of young artists and activists from Serbia. During the visit, the participants had the opportunity to attend three major cultural events in Kosovo – the 24th edition of the DokuFest International Documentary Film Festival in Prizren, the 6th edition of the Sunny Hill music festival in Pristina, and the 5th edition of the Autostrada Biennale, an international contemporary art festival.

OPEN CALL: GRANTS FOR THE IMPLEMENTATION OF ON-THE-JOB TRAINING AND CAPACITY BUILDING (REPUBLIC OF NORTH MACEDONIA)

Public presentation of the play Doughnuts held as part of the New Voices workshop

On Sunday, July 6, a public presentation of the play Doughnuts (Buhtle) was held at Heartefact House, marking the conclusion of the four-day Playground for New Voices workshop. The workshop took place within the European project Fabulamundi: New Voices, which Heartefact implements with partners from nine European countries. It was led by director and playwright Patrik Lazić, in collaboration with emerging playwright Jelena Krdžavac, the acting ensemble, and translator Olja Petronić.

Exploring and developing contemporary drama through process: Doughnuts by Jelena Krdžavac in the spotlight of the Playground workshop

As part of the Fabulamundi project, implemented by Heartefact in collaboration with partners from nine European countries, the Playground workshop is taking place in Belgrade from July 3 to 6. Led by director and playwright Patrik Lazić, the workshop brings together a cast of actors and emerging playwright Jelena Krdžavac to explore and further develop her play Doughnuts (Buhtle), which was shortlisted in last year’s Heartefact Competition for Best Contemporary Socially Engaged Drama.

Culture for Democracy: Supported Projects within the Call for Cultural and Artistic Project Implementation in Serbia

An exceptional response—totaling 273 applications—reflects the critical position of the cultural sector in Serbia in the context of the current political and social climate. Based on the Commission’s evaluation, 22 projects have been selected for support, with a total budget of 21,500,000.00 RSD. Although this amount exceeds the originally planned budget for this call, we believe that, amid the ongoing crisis and with public calls for cultural funding either canceled or indefinitely postponed, such support is more necessary than ever.

Artistic Residency and Public Presentation of Gaelle Axelbrun’s Play Held as Part of the Playground Project

From June 22 to 28, 2025, an artistic residency of French playwright Gaelle Axelbrun took place at Heartefact House in Belgrade, as part of the European project Playground. During this intensive seven-day working period, Gaelle, together with director Tara Manić, translator Olja Petronić, and the acting ensemble—Nevena Kočović, Jana Bjelica, and Andrej Nježić—explored the dramaturgical and performative potential of her play Far from the Mud in Which We Sink into Sleep.

Residency of French Author Gaelle Axelbrun in Belgrade as Part of the Playground Project

From June 22 to 28, 2025, the Heartefact House in Belgrade will host a residency for French playwright Gaelle Axelbrun as part of the European project Playground. This intensive seven-day residency, organized by Heartefact, is part of an international collaboration focused on the development of contemporary dramatic texts by emerging European authors.

First Seminar for Youth from Serbia Held as Part of the Regional VIBE Program

From June 20 to 22, 2025, Heartefact organized a three-day seminar for young people from Serbia in Belgrade as part of the regional program VIBE – Connecting Young People. The program brings together youth from Serbia, Montenegro, and Albania with the aim of strengthening regional cooperation and exchange. Designed as a space for learning, dialogue, and connection, it focuses on human rights, regional cooperation, the shared history of the region, and reflections on the future that young people wish to shape through activism and civic engagement.

Andrej Nosov Wins the “Ljubomir Muci Draškić” Award for Directing the Play “They Are All Gone”

The acting jury of Atelje 212, which awards the biennial prize for best directing in Belgrade—named the “Ljubomir Muci Draškić” award and uniquely characterized by the motto “Actors to their Director”—has decided to grant the 2025 award to director ANDREJ NOSOV for the play “They Are All Gone”, produced by Heartefact.

Tenth Award for the Play “How I Learned to Drive” at the 52nd INFANT Festival

At the 52nd International Festival of Alternative and New Theatre (INFANT), held from June 15 to 19 in Novi Sad, the jury—composed of Vesna Radovanović (dramaturge), Vanja Magić (set designer), and Nikolina Đukanović (dramaturge)—had the opportunity to watch six plays selected by the festival’s curator, director Aleksandar Popovski. After viewing the performances, the jury unanimously decided to award our play How I Learned to Drive, directed by Tara Manić, the prize for Best Concept!

With the panel “Silence Is Not Golden,” we launched a campaign that encourages to speak up!

Organized by Heartefact, the panel titled Silence Is Not Golden marked the launch of a campaign of the same name, aimed at empowering individuals to recognize, understand, and respond to violence — rather than remain silent.

Public Reading of Last Year’s HF Competition Winning Play Held at Heartefact House

Last night, Heartefact House hosted a public reading of the play “Throw Her, Putin, and Be Precise” by Mirza Skenderagić, which was selected as the best play by the jury of last year’s Heartefact regional Competition for the Best Contemporary Engaged Full-Length Play. This is not Skenderagić’s first win at the Heartefact competition — his play “Wake Me Up When It’s Over” won the award in 2016.

Call for Project Proposals – Boost Grants

Within the framework of the Culture for Democracy (CfD) project, Heartefact is launching a call for proposals aimed at strengthening the organizational, programmatic, and financial capacities of independent cultural actors in Serbia through multi-annual support.

CALL FOR PROJECT PROPOSALS: INSTITUTIONAL SUPPORT GRANTS (REPUBLIC OF NORTH MACEDONIA)

The Culture for Development project is announcing the Institutional Grants Scheme to support well-established cultural organizations in the Republic of North Macedonia. The objective of this call is to strengthen the organizational and financial capacities of these organizations by providing financial resources, infrastructural support and capacity building activities.

Open call for youth participation in the regional VIBE project

Heartefact announces an open call for young people from Serbia to participate in the regional VIBE project, implemented in cooperation with Arsis from Albania and Juventas from Montenegro. Fill out the application form by June 6, 2025.

CALL FOR PROJECT PROPOSALS: GRANTS FOR THE IMPLEMENTATION OF CULTURAL AND ARTISTIC PROJECTS (REPUBLIC OF NORTH MACEDONIA)

The Culture for Development project is announcing the Artistic Grant Scheme Call for project proposals to allocate grants for the implementation of artistic and cultural projects in the Republic of North Macedonia. The objective of this call is to support the development and implementation of socially relevant and culturally enriching contemporary artistic projects that promote diversity in artistic practices and expressions, address critical social issues, and foster community development.

Voices from the Margins – Seminar for Human Rights Defenders in Serbia Held

From April 24 to 27, 2025, the first seminar of the “Voices from the Margins” program was held in Ub, Serbia. The program aims to empower emerging human rights defenders from local communities across the country. The seminar brought together eleven participants from various cities and communities who, over an intensive four-day program, had the opportunity to strengthen their capacities for human rights work through lectures, workshops, and discussions.

Open Call: Beldocs Festival (Kosovo-Serbia Visiting Program)

Heartefact invites young people from Kosovo to apply for a four-day visit to Beldocs – the International Documentary Film Festival taking place in Belgrade. The visit will be organized from May 22 to May 25, 2025 (Thursday to Sunday), during the festival’s official dates of May 21 to May 27 2025.

Call for Project Proposals: Artistic Grants for Implementation of Cultural and Artistic Projects

Jana Milivojević at the residency in France as part of the Playground project

Our young author Jana Milivojević stayed in France, in Pont-a-Mousson, where during the one-week residency she developed and publicly presented her text “We don’t have a camper, and even if we did, we wouldn’t tell you”.

A seminar was held for the new generation of the Human Rights Leadership program

Heartefact, in partnership with the Slovenian 8th of March Institute, from March 27 to 30, 2025, organized a seminar within the project Human Rights Leadership. The goal of the seminar was to empower 18 activists from different parts of Serbia who were selected through a public call to participate in this one-year program.

Nađa Mišković at the residency in Romania as part of the Playground project

Our young playwright Nađa Mišković spent last week in Romania, in Targu Mures, where during her residency at Teatrul Ariel she worked on her text “Will we see the sun?” based on the motifs of the Turkish folk tale “80 eyes”.

Sarajevo successfully hosted the beginning of the Atelier program for young playwrights

Last week, Sarajevo successfully hosted the first module of the Atelier program workshop for young playwrights as part of the new Sarajevo Theater Showcase/New Theater Market project, funded by the European Union through the Creative Europe program.

Sarajevo Theatre Showcase – open call for the inaugural atelier for playwrights

Sarajevo Theatre Showcase announces an open call for the inaugural Atelier for Playwrights. We invite participants from the following countries to apply Albania, Bosnia and Herzegovina, Montenegro, Croatia, Kosovo, Slovenia, and Serbia.

The new Sarajevo Theatre Showcase launched in Sarajevo as part of the European project New Theatre Market

Today, a press conference was held in the Sarajevo War Theater (SARTR) on the occasion of the start of the New Theatre Market project, the crown of which is the newly established Sarajevo Theatre Showcase, which will be held in the second week of September in Sarajevo. The leader of the project is the SARTR theater with partners: Heartefact from Serbia, Ulysses Theater from Croatia, Binario Vivo from Italy and Para Film & Theatre from Norway.

The Festivity of Otherness was held in Paris

From January 9 to 11, 2025, the Festivity of Otherness was held in Paris. After the Zagreb version of the festival in November, when three plays created as part of the Eclectic of Otherness project co-financed by the European Union were shown on the theater stage of the Arterarij organization, Heartefact House hosted the Belgrade version of the festival in December last year. Lavoir Moderne Parisien hosted the Parisian version of the festival, rounding off the first three editions of the festival.

Heartefact Fund is looking for the Financial and Administrative Grant Officer to support the implementation of the Culture for Development project in North Macedonia

Heartefact Fund is looking for the Financial and Administrative Grant Officer to support the implementation of the Culture for Development project in North Macedonia. Funded by the Swiss Agency for the Development and Cooperation (SDC), the Culture for Development project will be managed by the Heartefact Fund and is launching in January 2025 with a four-year duration.

Heartefact Fund is looking for the Program Grant Officer to support the implementation of the Culture for Development Project in North Macedonia

Heartefact Fund is looking for the Program Grant Officer to support the implementation of the Culture for Development Project in North Macedonia. Funded by the Swiss Agency for the Development and Cooperation (SDC), the Culture for Development Project will be managed by the Heartefact Fund and is set to launch in January 2025 with a four-year duration.

We Presented the Slavic Soundwalking Application to Senior Citizens

In Belgrade, we held an incredibly inspiring meeting with representatives of several civil sector organizations working with senior citizens and their quality of life.

The Festivity of Otherness was held in the Heartefact House in Belgrade

From December 5 to 7, 2024, the Festivity of Otherness was held in Belgrade. After the Zagreb version of the festivity in November, when three performances created as part of the Eclectic of Otherness project co-financed by the European Union were shown on the theater stage of the Arterarij organization, Heartefact House hosted the Belgrade version of the festival.

Final partners’ meeting and poetry performance in Ljubljana as part of the POT-VOT project

From November 25 to 27, 2024, in Ljubljana, in Pionirski dom, the last partners’ meeting was held as part of the Poets of Today, Voices of Tomorrow project. After more than two years of various activities dedicated to the promotion of contemporary poetry among young people and the general population, the last meeting of 5 partners from Slovenia, Serbia, Finland, Hungary and Poland was used to recapitulate and evaluate the project.

Sofija Dimitrijević at the Playground residency in Rome

At the beginning of November, playwright Sofija Dimitrijević participated in the first of 12 residencies within the Playground project, which Heartefact implements with partners from Italy, France and Romania. The innovativeness of the project lies in the fact that it was designed with the idea of establishing a more complex and comprehensive cooperation between the various professions involved in the theater process – playwrights, directors, translators and performers.

Billboard campaign “Poets of today, voices of tomorrow” in Belgrade

From November 11 to 17, Heartefact ran a billboard campaign in the main pedestrian street in Belgrade, in Knez Mihailova, with the aim of promoting the poetry of our young contemporary poets. The verses of Jelena Marinkov, Aleksa Krstić, Tihana Smiljanić, Milica Milosavljević and Marija Dragnić, in the design of Miroslav Živanov, were found in several locations along the entire street.

Second Slavic Soundwalk Through Belgrade

Starting at 12 PM, we gathered at the Main Post Office, the first location, and then continued walking while listening to the stories at different locations, including the National Assembly of the Republic of Serbia, the Hall of the Cultural Center of Belgrade, and finally concluded the walk at Atelje 212.

The first Festivity of Otherness as part of the Eclectic of Otherness project ended in Zagreb

From November 7 to 9, 2024, the first Festivity of Otherness was held in the theater venue of the Arterarij organization in Zagreb. As part of the festival, three performances from Serbia, France and Croatia premiered, and the festival is moving to Belgrade in December. The third location is Paris in January 2025.

The exhibition UKRAINE: LOVE + WAR (2014-2024) will be held in Belgrade from November 15 to 23

The Open Society Foundations – Western Balkans invites you to the opening of the exhibition UKRAINE: LOVE + WAR (2014-2024) which will take place on Friday, November 15, 2024 at 6 p.m. at the Europe House in Belgrade (Zmaj Jovina 8). The exhibition is inspired by the book of the same name published by FotoEvidence, which is a testimony of the devastating impact of Russian aggression on Ukrainian society, captured through the lenses of 95 international photojournalists.

We’ve developed toolkits for non-formal teaching about sound and light design and video operations in theatre!

During this year, we held three masterclasses for theatrical technicians in light and sound design and video operations within the Beyond Stage Mastery project. The masterclasses were led by experts Luigi Biondi, Alessandro Olla, Lazar Nikolić and Ivan Đurović. As a result of the masterclasses we’ve developed manuals as toolkits for non-formal teaching about sound and light design and video operations.

A three-day conference of the European network Fabulamundi – New Voices was held in the Heartefact House

From October 5 to 7, 2024, a three-day conference of the European network of playwrights Fabulamundi-New Voces was held in Heartefact House in Belgrade. After the meetings in Rome, Venice and Paris, Belgrade had the opportunity to host 19 playwrights from a dozen European countries and representatives of theaters and art organizations that are part of the network.

Heartefact’s Visit to DokuFest in Prizren for 13 young students and activists

From August 7 to 11, 2024, Heartefact organized a visit to DokuFest for 13 young film directing and production students, cultural workers, artists, and activists from Serbia. The documentary and short film festival is held annually in Prizren, and this year’s 23rd edition brought together numerous directors from the region, Europe, and around the world. In addition to the film program, participants attended masterclasses, exhibitions, concerts, performances, and met with cultural workers from Prizren, such as Vatra Abrashi from Autostrada, Linda Lulla Gashi, Alba Cakalli and Samir Karahoda from DokuFest, and Bengi Muzbeg from the Lumbardhi Foundation.