Sarajevo Premiere of the Play “They Are All Gone” Held at SARTR

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Following its Belgrade premiere in May this year, the Sarajevo premiere of the play They Are All Gone by Doruntina Basha, directed by Andrej Nosov, was held on November 11 at the Sarajevo War Theatre SARTR. The production is part of the official program marking the 30th anniversary of the genocide in Srebrenica, through which SARTR and its partner organizations highlight the importance of remembrance culture and artistic testimony. Additional performances are scheduled for November 12 and 13.

The cast features Mirjana Karanović, Svetozar Cvetković, and Alban Ukaj, along with the actors of the Sarajevo War Theatre. The play examines our collective position—how we understand and relate to those who survived the genocide in Srebrenica.

“Despite all its complexities, I believe this Sarajevo premiere will carry a special note—because in the audience there will be people who lived through and fortunately survived the period we are talking about,” said director Andrej Nosov ahead of the premiere, emphasizing the emotional weight of staging the play in Sarajevo.

SARTR’s director, Maja Salkić Burazerović, expressed her gratitude to our team for the years of work and research invested in the project: “We know that Heartefact has been working in the field of dealing with the past for many years. They spent more than four or five years on this project and ultimately arrived at the text written by Doruntina Basha. It is a very intimate story.”

The production also features Sarajevo actors: Maja Salkić, Davor Sabo, Kemal Rizvanović, Matea Mavrak, Hana Zrno, Sanin Milavić, Faruk Hajdarević, Alen Konjicija, Natalia Dmitrieva, and Dino Hamidović.

In December, the play will have its third premiere—this time in New York, at La MaMa Experimental Theatre Club!

The play is a co-production of Heartefact (Serbia), Sarajevo War Theater SARTR (BiH) and My Balkans (USA, Serbia), in cooperation with La MaMa Experimental Theatre Club (USA), Ibsen Scope (Norway) and Allianz Foundation (Germany).

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As part of Heartefact’s Kosovo–Serbia Visiting Program, we organized a visit in early August to festivals in Pristina and Prizren for a group of young artists and activists from Serbia. During the visit, the participants had the opportunity to attend three major cultural events in Kosovo – the 24th edition of the DokuFest International Documentary Film Festival in Prizren, the 6th edition of the Sunny Hill music festival in Pristina, and the 5th edition of the Autostrada Biennale, an international contemporary art festival.

OPEN CALL: GRANTS FOR THE IMPLEMENTATION OF ON-THE-JOB TRAINING AND CAPACITY BUILDING (REPUBLIC OF NORTH MACEDONIA)

Public presentation of the play Doughnuts held as part of the New Voices workshop

On Sunday, July 6, a public presentation of the play Doughnuts (Buhtle) was held at Heartefact House, marking the conclusion of the four-day Playground for New Voices workshop. The workshop took place within the European project Fabulamundi: New Voices, which Heartefact implements with partners from nine European countries. It was led by director and playwright Patrik Lazić, in collaboration with emerging playwright Jelena Krdžavac, the acting ensemble, and translator Olja Petronić.

Exploring and developing contemporary drama through process: Doughnuts by Jelena Krdžavac in the spotlight of the Playground workshop

As part of the Fabulamundi project, implemented by Heartefact in collaboration with partners from nine European countries, the Playground workshop is taking place in Belgrade from July 3 to 6. Led by director and playwright Patrik Lazić, the workshop brings together a cast of actors and emerging playwright Jelena Krdžavac to explore and further develop her play Doughnuts (Buhtle), which was shortlisted in last year’s Heartefact Competition for Best Contemporary Socially Engaged Drama.

Culture for Democracy: Supported Projects within the Call for Cultural and Artistic Project Implementation in Serbia

An exceptional response—totaling 273 applications—reflects the critical position of the cultural sector in Serbia in the context of the current political and social climate. Based on the Commission’s evaluation, 22 projects have been selected for support, with a total budget of 21,500,000.00 RSD. Although this amount exceeds the originally planned budget for this call, we believe that, amid the ongoing crisis and with public calls for cultural funding either canceled or indefinitely postponed, such support is more necessary than ever.

Artistic Residency and Public Presentation of Gaelle Axelbrun’s Play Held as Part of the Playground Project

From June 22 to 28, 2025, an artistic residency of French playwright Gaelle Axelbrun took place at Heartefact House in Belgrade, as part of the European project Playground. During this intensive seven-day working period, Gaelle, together with director Tara Manić, translator Olja Petronić, and the acting ensemble—Nevena Kočović, Jana Bjelica, and Andrej Nježić—explored the dramaturgical and performative potential of her play Far from the Mud in Which We Sink into Sleep.

Residency of French Author Gaelle Axelbrun in Belgrade as Part of the Playground Project

From June 22 to 28, 2025, the Heartefact House in Belgrade will host a residency for French playwright Gaelle Axelbrun as part of the European project Playground. This intensive seven-day residency, organized by Heartefact, is part of an international collaboration focused on the development of contemporary dramatic texts by emerging European authors.

First Seminar for Youth from Serbia Held as Part of the Regional VIBE Program

From June 20 to 22, 2025, Heartefact organized a three-day seminar for young people from Serbia in Belgrade as part of the regional program VIBE – Connecting Young People. The program brings together youth from Serbia, Montenegro, and Albania with the aim of strengthening regional cooperation and exchange. Designed as a space for learning, dialogue, and connection, it focuses on human rights, regional cooperation, the shared history of the region, and reflections on the future that young people wish to shape through activism and civic engagement.