From January 9 to 11, 2025, the Festivity of Otherness was held in Paris. After the Zagreb version of the festival in November, when three plays created as part of the Eclectic of Otherness project co-financed by the European Union were shown on the theater stage of the Arterarij organization, Heartefact House hosted the Belgrade version of the festival in December last year. Lavoir Moderne Parisien hosted the Parisian version of the festival, rounding off the first three editions of the festival.
The Festivity of Otherness opened with the host’s play, “The Rabbit’s House,” produced by the Paris-based French-Argentinian company El Vaiven. Directed by Juan Miranda, the play depicts memories of growing up in Argentina during the military dictatorship, inspired by the novel of the same name by Laura Alcoba, who also attended the performance and post-performance discussion. Through the eyes of the girl, the audience experienced the emotional nuances of loss, migration and the search for identity, while questioning how past traumas shape the present and future. The performance was performed by actress Astrid Albiso.
On the second day of the festival, Heartefact’s immersive performance “They have already gone” was performed three times. Created according to the concept and directed by Andrej Nosov, this performance confronts the audience with the emptiness that remains behind those who are no longer there. The artistic event, rich in documentary materials and intimate soundscapes, created a space for reflection on collective memory and responsibility towards the past. The performance is performed for only 15 people per performance, who use special headphones to get a specific audio experience of this performance.
On the last day of the Festival of Otherness in Paris, the performance “Dog House” by Arterarij, Zagreb was performed. Director Romano Nikolić, in collaboration with authors Dorotea Šušak and Mario Mazić, presents an emotionally intense play that explores the impact of wartime rape on the individual and society as a whole, following the stories of two families. With a standing ovation for Anita Matić Delić, Dušan Gojić, Jelena Graovac Lučev, Nikola Nedić and Davor Tarbuk, the Paris Festival of Otherness ended.
The Festivity of Otherness is much more than a theater festival – it is an invitation to think, to face the invisible and the unspoken. It is part of the Eclectic of Otherness project, a partnership initiative of three cultural organizations: Heartefakct from Serbia, Arterarij from Croatia and El Vaïvén from France. The Eclectic of Otherness project, co-financed by the European Union, is dedicated to exploring the identity tensions between us and them, insiders and outsiders, those we think belong, and those who are not part of that privilege.
*The views and opinions expressed in this publication are those of Heartefact and the project partners and do not necessarily reflect the views of the European Union. Neither the European Union nor other donors can be held responsible for them.













