The play “Quiet Hours from Two to Six”, an authorial project by Tara Mitrović and Sofija Dimitrijević, premiered on March 5 at Heartefact House and is now part of our regular repertoire.
Set in a single apartment within the tightly regulated microcosm of a residential building, the play follows the encounter between two women whose life principles collide and gradually begin to shift. At the center of the story stands Mirjana, a linguistics professor who has built her life around order, discipline, and clearly defined rules. Her world begins to change the moment Lana enters her apartment – a young woman determined to claim her freedom within a system that often fails to recognize the very idea of it.
Playwright Sofija Dimitrijević explains that the rule “quiet hours from two to six” functions not only as a building regulation but also as a principle by which one lives, survives, or simply gets by. “As long as there is a rule to rely on, one feels safe. Once a rule is broken, discomfort follows – because if challenging something so fundamental is possible, so is the change of the entire order of things.” At that moment, space opens for personal choice and for an encounter that can shift one’s perspective.
Director Tara Mitrović starts from a simple premise: one building, two apartments, several neighbors, and countless rules – written and unwritten, long established or completely arbitrary.
Encounters that the audience witnesses gradually open a space where it becomes possible to question habits, fears, and loneliness, but also to find support where we least expect it.
The cast includes Anita Mančić, Iva Milanović, and Milan Zarić, while Marta Bogosavljević, Nađa Sekulić, and Jovana Berić lend their voices to the performance. Tara Mitrović and Sofija Dimitrijević created the play as an authorial project. Since March, audiences have been able to watch “Quiet Hours from Two to Six” as part of the regular program at Heartefact House.
The play was developed within the Human Rights Leaders (HRL) Program, implemented by Hartefakt with the financial support of the European Union. The content of this publication is the sole responsibility of Hartefakt and does not necessarily reflect the views of the European Union
Foto: Marko Risović











