Finger

Premiere: 25th December 2012 at the Bitef Theater (season 2012/2013)

“In many traditional Kosovar households, it still happens that the wives of those who went missing during the war continue to live with their husband’s family, even though more than ten years have passed since the war. The right to their lives, which once belonged to their husbands, now belongs to his family. They don’t have a “private” life at all. Whatever they do could be interpreted as something that comes directly from their husband’s family, so they must be under control in order to protect the family’s honor. But what happens if the husband’s family consists only of his mother? Is she able to control the situation with a “firm hand”? And how does she manage to maintain the household when haunted by memories of her missing son, whom she tried to hide in the basement of the house? How does she retain power in a situation where her daughter-in-law’s expectations regarding her missing husband are different and where the two women hurt each other, bringing their relationship to an (impossible) resolution? ‘Prst’ explores this relationship in the context of the most sensitive issue in Kosovo today: the issue of the missing, but from the completely new, for this society radical position of women left behind. ‘The Finger’ is a finger that doesn’t know which direction to point and can’t reveal the perpetrator. ‘The Finger’ is also the shadow of a huge finger pointing at you, making you feel guilty. It is a finger that offers both reconciliation and separation. It is an excuse to cry over trivial pain caused by trivial household chores, as a mask for a greater, less banal pain inside. It is a constant reminder that something bad has been done and that everything can fall apart. It is a threat. It is something you scratch yourself with. It is something you touch with.”

Doruntina Basha

“Two women. They can’t stand being together anymore, but they can’t live without each other either. The only way to change their situation is for one to hurt the other. The more they hurt each other, the more alive they feel.”

Ana Tomović

Quiet Hours from Two to Six

One building. Two women. Three encounters. Four neighbors. And countless rules — written and unwritten. “Quiet hours from two to six” is more than a house rule – it is a principle by which one lives, survives, or gets by.

Art&Money

An impossible love story between art and capital – a play about loneliness, dependency, and the quiet cruelty of needing something you cannot live with, by Swedish author and director Freja Hallberg.

They Are All Gone

After more than four years of artistic research, our performance “They are all gone” examines the question of responsibility, forgetting and solidarity using a hybrid theatrical form. The author’s project of director Andrej Nosov was created based on the text by Doruntina Basha.

All The Good Barbies

The play follows a young, uncompromising woman who returns to her hometown just before her thirtieth birthday, unwilling to admit her own failure or the reasons for her return. However, through intense encounters with her family and friends, she is forced not only to confront that wound but also numerous scars from her childhood.

How I Learned to Drive

“How I Learned to Drive” by Paula Vogel, a text often referred to as the “Lolita” written from a female perspective – the character of grown-up Li’l Bit, who reminisces about her childhood. The relationship between the two characters, Li’l Bit and her uncle, is filled with ambivalence: love, tenderness, curiosity, teaching, trust, authority formation, mistakes, and consequently: boundary crossing, grooming, and harm, leading to a point of self-destruction.

Climax

This project by Patrik Lazić and Dunja Matić is inspired by the award-winning and, according to many, the most anxiety-inducing film “Climax.” The play follows a group of young actors on the evening before the premiere, their unraveling, fueled by alcohol and drugs, and a gradual loss of control that raises questions about the consequences of using hallucinogenic substances and human destructiveness.

Before We Begin

The focus of the play is the author’s dilemma of whether an artist has the right to speak about systemic, social, and individual forms of discrimination and stigmatization of marginalized groups in our society, even though the author does not belong to those groups.

Would Be a Shame if the Plants Died

Would Be a Shame if the Plants Died is a romantic play about a couple that decides to end their relationship. Without existential sentimentality and big words, this intimate story takes the audience through a number of existential questions through a series of simple dialogues.

A Short History of Burgers and other stories

“A Short History of Burgers and Other Stories” is a monodrama performed by Dutch actor Simon Versnel, a longtime member of the Belgian dance theater troupe “Peeping Tom”.

Our Son

It is about questioning the limits of acceptance and rejection. After a young man comes out to his parents, they try to live with the knowledge that their son is different.

Hypermnesia

Documentary theater, because it is simultaneously exciting and disturbing. Documentary shows I’ve watched over the last few years have especially influenced me…

Workers Die Singing

The screenplay by Olga Dimitrijevic takes in question the position of the working class in Serbia today as a starting point, inspiration, motivation, but not as the issue, or at least not central, nor the only topic engaged.

Scratching

The creativity of Tanja Šljivar, on several levels, seriously refreshes the recent drama production in the region. Although for some time living and studying in Belgrade…

Bent

The interpretation of the piece Bent in the context of discrimination in Serbia today is, in every sense, but especially in art, a highly sensitive task.

In many traditional Kosovar houses, it still happens that women of men who disappeared during the war are continuing to live with their husband’s family, even though it has been over 10 years from the war. The right over these women’s lives that once belonged to their husbands, now belong to his family.

Hunger

This play takes too long. This performance is not a show in the traditional sense of the word. It was not designed to be fun, laughable, to provide catharsis.

This Grave is Too Small for Me

“I am writing this while I’m reading the daily papers. In them – yesterday’s news: Two smiling, cheerful old man are carelessly walking into the building of the Special Court in Belgrade…

A Tomb for Boris Davidovich

A Tomb for Boris Davidovich is one of the most important and most respected literary works in the history of Yugoslavia. Its original appearance in 1976 caused an uproar in the cultural circles…

October 6 (A summer vacation story)

Based on a play by the young author Tisa Milić, with playwright Biljana Srbljanović as a collaborator on the text, the play focuses on the twentieth anniversary of the October 5 changes in Serbia…

Werther: You Either Have Hope or You Don’t

The play Werther: You Either Have Hope or You Don’t is staged at the Bristol Hotel. In its day, the hotel was the hub of social life in the Savamala district, and, with the Belgrade Stock Exchange building…

How’s It Her Fault None Of It Is Her Fault

Twenty talented teenage girl actors help viewers explore the painful state of affairs in our community engendered by the arrival in our country of growing numbers of asylum seekers…

Remains

“A play about unhappy and dead people. They are trying to bring some order to their intimate lives and relationships informed by jealousy, psychoactive substances…

PERFORMANCE – 48 Hours of Awakeness

48 hours of uninterrupted public readings of hundreds of pages of texts: personal stories of refugees and texts about the fates of refugees from antiquity to the present day…

Miss Julie

JuliJA is an author’s project by actress and director Mirjana Karanovic, in which she, in her personal motives and contemporary social problems…

Kiddo

Kiddo is a cruel analysis of family and roles within a family. Staging two generations of female characters, Dunja Matic asks essential questions about the role of a woman…

Intimacy

New production of Heartefact Fund called “Intimacy”, premiered on the 71st edition of Dubrovnik Summer Festival. “Intimacy”, written by Biljana Srbljanović…

Ghosts

“Preparing the play Ghosts took a couple of months, but the feeling is we’ve been working on it for years. In the last three years I worked with Andrej Nosov on four plays…

Uncle Vanya

In this modern reading of “Uncle Vanya”, Chekhov’s atmosphere of heat and steam is underlined as a perfectly good excuse for not acting.

open
the menu

Finger

Finger

There's more

Quiet Hours from Two to Six

Art&Money

They Are All Gone

All The Good Barbies

How I Learned to Drive

Climax

Before We Begin

Would Be a Shame if the Plants Died

A Short History of Burgers and other stories

Our Son

Hypermnesia

Workers Die Singing

Scratching

Bent

Finger

Hunger

This Grave is Too Small for Me

A Tomb for Boris Davidovich

October 6 (A summer vacation story)

Werther: You Either Have Hope or You Don’t

How’s It Her Fault None Of It Is Her Fault

Remains

PERFORMANCE – 48 Hours of Awakeness

Miss Julie

Kiddo

Intimacy

Ghosts

Uncle Vanya

close
the menu

close
the menu

Finger

Finger

There's more

Quiet Hours from Two to Six

Art&Money

They Are All Gone

All The Good Barbies

How I Learned to Drive

Climax

Before We Begin

Would Be a Shame if the Plants Died

A Short History of Burgers and other stories

Our Son

Hypermnesia

Workers Die Singing

Scratching

Bent

Finger

Hunger

This Grave is Too Small for Me

A Tomb for Boris Davidovich

October 6 (A summer vacation story)

Werther: You Either Have Hope or You Don’t

How’s It Her Fault None Of It Is Her Fault

Remains

PERFORMANCE – 48 Hours of Awakeness

Miss Julie

Kiddo

Intimacy

Ghosts

Uncle Vanya

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closethe menu

close
the menu

close
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