New Symbols of Tolerance

Fidan Bejtullahu graduated from the Academy of Arts in Pristina. In his works, the author plays with dense fog that penetrates the environment and creates beauty even in gloomy and difficult tones and landscapes.

The Museum of Contemporary Art is the host is hosting a major exhibition showcasing the multi-decade creative opus of one of the most prominent actors on the contemporary art scene in Serbia – Mrđan Bajić. Set on all five levels and in the immediate surroundings of the Museum, the exhibition is structured through chronological and thematic units (’80 vs ’90, Yugomuseum, Unreliable Stories) that follow all phases of Bajić’s sculptural work and the construction of a specific authorial poetics, approach, and expression in the medium of sculpture.

Traces, plural noun: A mark, object, or other indication of the existence or passing of something or someone. You can’t deny the existence of a human being, neither the greatest of all – the love itself. It goes beyond the laws we know. Despite that, some of us are still living in the shadows of our society, moving through invisible corridors of the system, trying to convince ourselves that we matter and that we should step out. Not all of us will. Some will stay hidden forever.

The audio-visual photo exhibition ‘Masterpiece Body’, which was created in cooperation between the Talas TGD Collective and the Heartefact, was held during EuroPride, from the 12th to the 18th. September in Parobrod. Visitors had the opportunity to see 12 models from the TGD community with motives painted on their bodies and to hear through audio recordings what these motives symbolize. The exhibition aimed to increase the visibility of the TGD community in public, cultural and artistic spaces and bring the so-called other bodies as well as the stories and experiences behind them to the wider population.

Description – The Unstraight Museum presents 3 exhibitions by 3 artists from 3 cities, united to make the invisible and unseen – visible. The exhibitions are the creations of respective artists, co-produced by The Unstraight Museum in collaboration with -and with support from: Civil Rights Defenders, The Swedish Institute, Transpond Ab and the Swedish Museums of World Culture.

Kings & Queens is an internationally acclaimed photography series of drag kings & queens with their other halves: themselves. Each image features two personalities of the same individual laid bare; portrayed in juxtaposition and constructed using photo montage. The man, woman or else is physically placed next to their alter ego, the drag king, queen – or is it vice versa?

Through photo and video media, visual artist Kosta Mushu explores the boundaries and relationships of physical and spiritual reality, as well as the influence of capitalism and cultural-family heritage on the development of personal and collective identity.

Andrej Ivanov is an international, award-winning photojournalist. As much as he enjoys reporting on breaking news, Andrej’s true passions lie in social documentary, social justice, human rights, equality, and human-interest stories. His work has taken him around Canada, and to Senegal, Mexico, and, most recently, his birth country, Serbia.

Although drag culture has existed in some form for hundreds of years, from ancient Greece to Shakespeare, to baroque operas, in the last fifty years it has experienced somewhat of a renaissance at a global level, and has to a great extent become part of popular culture. The situation in Serbia is somewhat different and it can be said that the local drag scene in our area only started to emerge at the beginning of the 21st century. Before that, there were only a few examples such as Agatha and her Viva la diva performances in the nineties. The concept of the drag community as a more serious movement in the form of Belgrade’s drag scene only began to form in the second decade of this century. These photos bear witness to that period.

Trans Balkan is a photo-documentary project with the main goal to raise the visibility of trans people throughout the Balkans. It was initially presented in the form of a traveling exhibition that visited most of the Balkan capitals, including Belgrade, Sarajevo, Bucharest, Tirana, Pristina, Zagreb, Sofia, and in May 2021, the exhibition was published as a monograph in the Službeni glasnik.

These photographs by Ružica Milovanović were taken during the preparation phase of the play and they follow the whole process…

An exhibition of young artists entitled “What will happen after?” was created in cooperation with the Heartefact Fund with students…

This series of photographs was taken during Sarki’s trip with a group of refugees. He started from the park near the train station in Belgrade, continuing to Hungary and Austria…

The independent regional cultural organization Heartefact, with the support of the Australian Embassy in Belgrade, launched a competition…

This setting was created with the idea to draw attention to social problems that have fallen into oblivion in the past year and to provoke empathy…

Belgrade photographer Marko Drobnjaković’s exhibition consists of photos which were taken intensively over the course of a few months.

This exhibition is a visual portrait of the city, people, industry and agriculture. It consists of eight posters containing photo stories – photos of Srebrenica…

“Not much about anything” was part of an exhibition program of the Festival of Tolerance, which was held from 13th to 15th November 2014 in Belgrade in the organisation of the Heartefact.

In the form of art installation, this exhibition is dealing with a specific crime committed by the Scorpions unit, on members of the family Bogujevci…

Thematic exhibition, Anti-Masonic posters, was opened on 14th of November 2014 at the Cultural centre Parobrod, as part of the Festival of Tolerance in Belgrade…