{"id":8003,"date":"2021-11-19T10:07:19","date_gmt":"2021-11-19T10:07:19","guid":{"rendered":"https:\/\/heartefact.org\/rreth-nesh\/historia\/"},"modified":"2026-09-29T11:34:40","modified_gmt":"2026-09-29T11:34:40","slug":"historia","status":"publish","type":"page","link":"https:\/\/heartefact.org\/sq\/rreth-nesh\/historia\/","title":{"rendered":"Historia"},"content":{"rendered":"\t\t
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Historiku i Hartefakt<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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2024.<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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2024.<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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N\u00eb vitin 2024, Heartefact u karakterizua me vazhdim dhe transformim: jo vet\u00ebm n\u00eb programimin ton\u00eb, por edhe n\u00eb m\u00ebnyr\u00ebn se si pozicionohemi n\u00eb rajon. Ne vazhduam t\u00eb forcojm\u00eb rolin ton\u00eb p\u00ebrmes HF Fondation dhe HF House, nd\u00ebrsa gjithashtu b\u00ebm\u00eb nj\u00eb hap t\u00eb r\u00ebnd\u00ebsish\u00ebm duke themeluar zyrtarisht nj\u00eb shtyll\u00eb programore t\u00eb tret\u00eb: HF Institute, e dedikuar p\u00ebr k\u00ebrkimin dhe zhvillimin e narrativave t\u00eb reja rreth \u00e7\u00ebshtjeve ky\u00e7e shoq\u00ebrore. S\u00eb fundmi, p\u00ebrmbyllja e vitit u sh\u00ebnua nga nj\u00eb ndryshim rajonal thelb\u00ebsor: ne zyrtarisht themeluam zyret n\u00eb Prishtin\u00eb dhe Shkup, nd\u00ebrsa forcom\u00eb m\u00eb tej bashk\u00ebpunimin strategjik n\u00eb Bosnj\u00eb dhe Hercegovin\u00eb, kryesisht me SARTR (Teatri i Luft\u00ebs i Sarajevos).<\/span><\/p>

N\u00eb vitin p\u00ebrfundimtar t\u00eb zbatimit t\u00eb Faz\u00ebs I t\u00eb Culture for Democracy (CfD), nd\u00ebrhyrjes s\u00eb par\u00eb gjith\u00ebp\u00ebrfshir\u00ebse dhe afatgjat\u00eb n\u00eb fush\u00ebn e kultur\u00ebs dhe artit n\u00eb Serbi e mb\u00ebshtetur nga Qeveria Zvicerane, ne mb\u00ebshtet\u00ebm 19 projekte shtes\u00eb p\u00ebrmes skem\u00ebs Grants for Artistic Expressions, 9 projekte p\u00ebrmes linj\u00ebs Art Boost, dhe dhuruam 5 mb\u00ebshtetje t\u00eb reja Job Shadowing. Konferenca p\u00ebrmbyll\u00ebse e projektit, Cultural Nexus, u mbajt n\u00eb Ni\u0161, duke grumbulluar organizata dhe individ\u00eb nga skena e pavarur kulturore e Serbis\u00eb. P\u00ebrmes diskutimeve, paneleve dhe pun\u00ebs n\u00eb grupe, hartuam rezultatet kryesore t\u00eb kat\u00ebr viteve mb\u00ebshtetje si dhe drejtimet strategjike p\u00ebr faz\u00ebn e ardhshme t\u00eb projektit. Gjat\u00eb kat\u00ebr viteve t\u00eb zbatimit, ne mb\u00ebshtet\u00ebm gjithsej 89 projekte, duke pozicionuar Culture for Democracy si nj\u00eb gur themeli p\u00ebr mbijetes\u00ebn e kultur\u00ebs dhe artit t\u00eb pavarur n\u00eb Serbi gjat\u00eb periudh\u00ebs s\u00eb kaluar.<\/span><\/p>

HF HOUSE prodhoi dy shfaqje t\u00eb reja nd\u00ebrkoh\u00eb q\u00eb realizoi m\u00eb shum\u00eb se 80 shfaqje n\u00eb t\u00eb gjith\u00eb Serbin\u00eb, rajonin dhe Evrop\u00ebn. Ne kishim premier\u00ebn e\u00a0 How I Learned to Drive (regjia Tara Mani\u0107, skenari Paula Vogel) dhe All the Good Barbies (regjia \u0110or\u0111e Ne\u0161ovi\u0107, bazuar n\u00eb romanin e Katarina Mitrovi\u0107). Vazhduam t\u00eb shfaqim Our Son, i cili gjithashtu pati turne n\u00eb Sarajev\u00eb dhe D\u00fcsseldorf, si dhe The Finger dhe A Short History of Burgers and Other Stories, t\u00eb performuara n\u00eb Festivalin Noorderzon n\u00eb Groningen. Nj\u00eb nga m\u00ebnyrat m\u00eb t\u00eb r\u00ebnd\u00ebsishme me t\u00eb cilat zgjeruam audiencat dhe hap\u00ebm biseda mbi tema t\u00eb ndjeshme jasht\u00eb qendrave kryesore n\u00eb 2024 ishte p\u00ebrmes HF Theatre Caravan, duke shkuar n\u00eb qytete si Pirot, Ni\u0161, Ruma, Arilje, U\u017eice, Lazarevac, Aleksandrovac, Po\u017earevac, Be\u010dej dhe t\u00eb tjera. P\u00ebr t\u00eb gjashtin vit rradhazi, kontribuuam n\u00eb segmentin teatral t\u00eb Belgrade Pride Week duke prodhuar shfaqjen Boys Just Want To Have Fun me kompanin\u00eb suedeze Il Dance. N\u00eb fush\u00ebn e dramaturgjis\u00eb bashk\u00ebkohore, Konkursi i 13-t\u00eb p\u00ebr Tekstin M\u00eb t\u00eb Mir\u00eb Dramaturgjik t\u00eb Angazhuar Bashk\u00ebkohor mori 117 dor\u00ebzime, dhe juria (Ozren Grabari\u0107, Bo\u017eo Koprivica, Biljana Srbljanovi\u0107) i dha \u00e7mimin e par\u00eb Mirza Skenderagi\u0107 p\u00ebr shfaqjen Baci je Putine i budi precizan. Si pjes\u00eb e rrjetit evropian t\u00eb dramaturg\u00ebve Fabulamundi, ne prit\u00ebm nj\u00eb konferenc\u00eb t\u00eb madhe tre-ditore t\u00eb rrjetit n\u00eb HF HOUSE, duke pritur m\u00eb shum\u00eb se 50 t\u00eb ftuar nd\u00ebrkomb\u00ebtar\u00eb dhe duke mund\u00ebsuar shk\u00ebmbim intensiv me sken\u00ebn lokale teatrore. S\u00eb bashku me partner\u00eb nga Italia, Franca dhe Rumania, ne gjithashtu nis\u00ebm nj\u00eb projekt t\u00eb ri evropian q\u00eb mb\u00ebshtet dramaturg\u00ebt n\u00eb nisje: Playground (2024\u20132026). Vazhduam aktivitetet e disa projekteve t\u00eb tjera evropiane gjithashtu: brenda Poets of Today \u2013 Voices of Tomorrow, ToolBook u publikua n\u00eb pes\u00eb gjuh\u00eb; p\u00ebrmes Slavic Soundwalking, lan\u00e7uam nj\u00eb aplikacion interaktiv mobil; nd\u00ebrsa Eclectic of Otherness hyri n\u00eb faz\u00ebn e saj p\u00ebrfundimtare me premierat e tre produksioneve t\u00eb reja dhe realizimin e Festave t\u00eb Tjet\u00ebrsis\u00eb n\u00eb Zagreb, Beograd dhe Paris. Si producent\u00eb ekzekutiv\u00eb dhe ko-organizator\u00eb, ne ko-organizuam ekspozit\u00ebn UKRAINE: LOVE + WAR (2014\u20132024), dhe podcasti yn\u00eb Pleasure in Text, i moderuar nga Biljana Srbljanovi\u0107 dhe Vladimir Ceri\u0107, vazhdoi botimin e rregullt mujor, me gjithsej 16 episode t\u00eb publikuara.<\/span><\/p>

Me themelimin e HF INSTITUTE, b\u00ebm\u00eb nj\u00eb hap strategjik p\u00ebrpara: p\u00ebrmes Programit t\u00eb Lidershipit p\u00ebr t\u00eb Drejtat e Njeriut, punuam me 23 aktivist\u00eb nga 14 qytete n\u00eb t\u00eb gjith\u00eb Serbin\u00eb, duke u fokusuar n\u00eb fushata t\u00eb afta t\u00eb gjenerojn\u00eb ndryshim konkret lokal. P\u00ebrmes programit Reconnection, vazhduam t\u00eb krijojm\u00eb hap\u00ebsir\u00eb p\u00ebr perspektiva t\u00eb reja dhe lidhje m\u00eb t\u00eb forta midis Kosov\u00ebs dhe shoq\u00ebris\u00eb serbe p\u00ebrmes dy formateve kryesore: Programit t\u00eb Fellowship (me 13 flet\u00eb-hulumtime t\u00eb botuara mbi bashk\u00ebpunimin dhe marr\u00ebdh\u00ebniet) dhe Visiting programit Kosov\u00eb-Serbi, i cili p\u00ebrfshiu 38 pjes\u00ebmarr\u00ebs.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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2023.<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\t\t\t\t\t\t\t\t\tMe q\u00ebllim t\u00eb forcimit t\u00eb sektorit t\u00eb pavarur kulturor, n\u00eb kuad\u00ebr t\u00eb projektit\u00a0Kultur\u00eb p\u00ebr Demokraci<\/i><\/b><\/a>\u00a0n\u00eb vitin 2023, kemi mb\u00ebshtetur 50 projekte t\u00eb organizatave t\u00eb shoq\u00ebris\u00eb civile n\u00eb vler\u00eb totale prej gati 60.000.000 dinar\u00eb. Aktivitetet e projektit po zhvillohen n\u00eb m\u00eb shum\u00eb se 60 qytete dhe komuna n\u00eb Serbi, q\u00eb \u00ebsht\u00eb nj\u00eb vazhdim i zbatimit t\u00eb nd\u00ebrhyrjes s\u00eb par\u00eb gjith\u00ebp\u00ebrfshir\u00ebse dhe afatgjat\u00eb n\u00eb fush\u00ebn e kultur\u00ebs dhe artit n\u00eb Serbi t\u00eb mb\u00ebshtetur nga Qeveria e Zvicr\u00ebs.\u00a0Nd\u00ebr organizatat, projektet e t\u00eb cilave mb\u00ebshteten jan\u00eb: shoqata Klara dhe Rosa nga Subotica, Galeria Reflektor nga Uzice, Gjenerator nga Vranje, Qendra e Pavarur e Filmit Art (Interakcija) nga Pozega, Qendra Kulturore Rurale Markovac, Kulturanova, Teatri Spotlight, Shoqata Skena e Pavarur Kulturore, Stanica, ULUS dhe shum\u00eb t\u00eb tjer\u00eb. P\u00ebrmes k\u00ebtyre projekteve, Hartefakt ka mb\u00ebshtetur prodhime t\u00eb ndryshme kulturore dhe artistike, por edhe projekte eksperimentale, inovative dhe pjes\u00ebmarr\u00ebse q\u00eb testojn\u00eb modele t\u00eb reja t\u00eb bashk\u00ebpunimit, shoqarimit dhe avokimit n\u00eb kultur\u00eb dhe art, duke mund\u00ebsuar zhvillimin e q\u00ebndruesh\u00ebm dhe t\u00eb vazhduesh\u00ebm t\u00eb t\u00eb gjith\u00eb sken\u00ebs s\u00eb pavarur.

N\u00eb vitin 2023, festuam nj\u00eb vit t\u00eb ekzistenc\u00ebs s\u00eb hap\u00ebsir\u00ebs teatrore t\u00eb Hartefakt n\u00eb qend\u00ebr t\u00eb Beogradit me mbi 80 performime t\u00eb shfaqjeve tona, t\u00eb ftuarve dhe student\u00ebve dhe me m\u00eb shum\u00eb se 5,000 vizitor\u00eb t\u00eb cil\u00ebt p\u00ebr at\u00eb periudh\u00eb t\u00eb shkurt\u00eb kohore vizituan\u00a0Hartefakt Sht\u00ebpin\u00eb<\/b><\/a>.<\/b>\u00a0E kemi pasuruar repertorin me dy premiera t\u00eb reja: projekti i autorit Jug Xhorxheviq dhe Tijana Grumiq\u00a0Para se t\u00eb fillojm\u00eb<\/i><\/b><\/a>\u00a0, dhe projekti i autorit Patrik Laziq dhe Dunja Matiq\u00a0Klimaks<\/i><\/b><\/a>.

Me krenari t\u00eb ve\u00e7ant\u00eb, p\u00ebrfshim\u00eb shfaqjen ton\u00eb m\u00eb t\u00eb gjat\u00eb\u00a0Gishti<\/i><\/b><\/a>\u00a0n\u00eb repertorin e Hartefakt Sht\u00ebpis\u00eb, e cila u shfaq premier\u00eb n\u00eb vitin 2012 sipas tekstit fitues t\u00eb Doruntina Bash\u00ebs n\u00eb konkursin dramatik t\u00eb Hartefakt. Premiera e vitit t\u00eb kaluar\u00a0Biri yn\u00eb<\/i><\/b><\/a>\u00a0vazhdoi turneun e saj t\u00eb suksessh\u00ebm teatror evropian me tet\u00eb shfaqje n\u00eb festivalin e Dublinit, paraqitje me ftes\u00eb n\u00eb Timishoara,\u00a0<\/i>Zagreb, Bratislav\u00eb dhe viti p\u00ebrfundoi me \u00e7mimin p\u00ebr shfaqjen m\u00eb t\u00eb mir\u00eb t\u00eb zgjedhur nga nj\u00eb juri e re n\u00eb festivalin\u00a0Fast Forward<\/i>\u00a0n\u00eb Dresden.

Me disa paraqitje humanitare t\u00eb shfaqjes\u00a0Para se t\u00eb fillojm\u00eb<\/i><\/b><\/a>\u00a0, mb\u00ebshtet\u00ebm Jav\u00ebn e Krenaris\u00eb s\u00eb Novi Sadit dhe ndihm\u00eb psikologjike falas t\u00eb ofruar nga shoqata \u201cDa se zna \u2013 T\u00eb dihet!\u201d e cila e ofron p\u00ebr LGBTI+ komunitetin, dhe kemi nisur nj\u00eb\u00a0karvan queer<\/b>\u00a0n\u00eb suazat e t\u00eb cilit performojm\u00eb shfaqjet tona me perspektiva t\u00eb pakicave n\u00eb vende m\u00eb t\u00eb vogla n\u00eb Serbi, pas s\u00eb cil\u00ebs flasim me audienc\u00ebn lokale p\u00ebr k\u00ebto tema t\u00eb ndjeshme. Tradicionalisht, mor\u00ebm pjes\u00eb n\u00eb organizimin e\u00a0Jav\u00ebs s\u00eb krenaris\u00eb n\u00eb Beograd<\/b>e cila ishte me numrin m\u00eb t\u00eb madh dhe m\u00eb gjith\u00ebp\u00ebrfshir\u00ebse gjat\u00eb k\u00ebtij viti, ku shum\u00eb qytetar\u00eb q\u00eb banojn\u00eb n\u00eb Serbi p\u00ebr shkak t\u00eb luft\u00ebrave n\u00eb vendet e tyre treguan solidaritet. Programi i teatrit gjat\u00eb\u00a0Jav\u00ebs s\u00eb Krenaris\u00eb<\/b>\u00a0u shoq\u00ebrua me shfaqje dhe ekspozita t\u00eb mysafir\u00ebve nga Pula, Prishtin\u00eb, shfaqje dhe ekspozita vendase, ve\u00e7an\u00ebrisht prezantimi emocional i koleksionit t\u00eb poezis\u00eb s\u00eb aktivistit p\u00ebr t\u00eb drejtat e njeriut,\u00a0Boban Stojanoviq<\/b>\u00a0, si dhe takimi i par\u00eb i rrjetit t\u00eb ri teatror evropian t\u00eb teatrove dhe organizatave q\u00eb merren me perspektivat queer dhe perspektivat minoritare q\u00eb kemi iniciuar.

M\u00eb\u00a012\u00a0Konkursi p\u00ebr tekstin m\u00eb t\u00eb mir\u00eb t\u00eb dram\u00ebs bashk\u00ebkohore t\u00eb angazhuar<\/b><\/a>\u00a0mori nj\u00eb rekord prej 163 aplikimesh dhe juria e p\u00ebrb\u00ebr\u00eb nga Dubravka Vrgoq, Molina Udovi\u00e7ki Fotez dhe Biljana Srbljanoviq zgjodhi tekstin nga Marija Rako\u00e7eviq.\u00a0Gruaja lidh bishtin<\/i><\/b>\u00a0si fituese. Juria ve\u00e7oi gjithashtu tekstet e Aleksandra Glovacki, Sara Radojkoviq, Hana Konsa dhe Anita \u00c7eko. Si vazhdim i edukimit t\u00eb dramaturg\u00ebve bashk\u00ebkohor\u00eb, u bashkuam me rrjetin evropian t\u00eb dramaturg\u00ebve Fabulamundi\u00a0,<\/i><\/b>\u00a0i cili p\u00ebrb\u00ebhet nga 19 dramaturg\u00eb nga e gjith\u00eb Evropa, n\u00eb t\u00eb cilin Serbia dhe Hartefakt p\u00ebrfaq\u00ebsohen nga Biljana Srbljanoviq dhe Patrik Laziq.

Vazhduam me aktivitetet n\u00eb projektin Evropa Kreative\u00a0Poet\u00ebt e t\u00eb sotmes, z\u00ebrat e t\u00eb nes\u00ebrmes<\/i><\/b><\/a>\u00a0, n\u00eb t\u00eb cilin prezantuam 10 nga poet\u00ebt tan\u00eb t\u00eb rinj para audienc\u00ebs p\u00ebrmes disa ngjarjeve publike (duke sh\u00ebnuar Dit\u00ebn Bot\u00ebrore t\u00eb Poezis\u00eb me nj\u00eb turne interaktiv n\u00eb Qendr\u00ebn Kulturore t\u00eb Beogradit, hapja e 31-t\u00eb e Belefa n\u00eb Kopshtin Botanik me nj\u00eb shfaqje poetike), dhe e p\u00ebrfunduam vitin me 16 shkolla fillore dhe t\u00eb mesme n\u00eb Serbi, t\u00eb cilat u vizituan nga karvani yn\u00eb poetik dhe e afruan poezin\u00eb bashk\u00ebkohore me t\u00eb rinjt\u00eb.

Nj\u00ebzet e pes\u00eb shkrimtar\u00eb bashk\u00ebkohor\u00eb serb\u00eb jan\u00eb p\u00ebrfshir\u00eb n\u00eb projektin\u00a0Slavic Soundwalking<\/i><\/b><\/a>\u00a0, n\u00eb kuad\u00ebr t\u00eb t\u00eb cilit po zhvillojm\u00eb nj\u00eb aplikacion mobil p\u00ebr nj\u00eb turne interaktive n\u00eb Beograd, Zagreb dhe Lubjan\u00eb, duke d\u00ebgjuar tregime t\u00eb shkurtra urbane, t\u00eb cilat do t\u00eb lansohen n\u00eb vitin 2024. N\u00eb fund t\u00eb vitit t\u00eb ardhsh\u00ebm, tre bashk\u00ebprodhime evropiane do t\u00eb interpretohen n\u00eb Beograd, t\u00eb cilat i kemi zhvilluar gjat\u00eb gjith\u00eb k\u00ebtij viti me organizata nga Kroacia dhe Franca n\u00eb kuad\u00ebr t\u00eb projektit\u00a0Eclectic of Otherness<\/i><\/b><\/a>, dhe q\u00eb kan\u00eb t\u00eb b\u00ebjn\u00eb me pyetjen se \u00e7far\u00eb do t\u00eb thot\u00eb t\u00eb jesh ndryshe n\u00eb kontekstin e Evrop\u00ebs s\u00eb sotme. Tradicionalisht, podkasti i Hartefakt \u201d\u00a0K\u00ebnaq\u00ebsia n\u00eb tekst\u00a0<\/i><\/b><\/a>\u00a0<\/i>Biljana Srbljanoviq dhe Vladimir Ceriq, i cili \u00ebsht\u00eb transmetuar n\u00eb m\u00eb shum\u00eb se 220 episode deri m\u00eb tani.

Duke treguar histori t\u00eb reja n\u00eb marr\u00ebdh\u00ebniet midis shoq\u00ebris\u00eb kosovare dhe shoq\u00ebris\u00eb serbe, vazhduam t\u00eb punojm\u00eb n\u00eb nd\u00ebrtimin e marr\u00ebdh\u00ebnieve t\u00eb fqinj\u00ebsis\u00eb s\u00eb mir\u00eb midis serb\u00ebve dhe shqiptar\u00ebve, duke besuar n\u00eb mund\u00ebsin\u00eb historike q\u00eb autoritetet dhe t\u00eb dy shoq\u00ebrit\u00eb t\u00eb pranojn\u00eb realitetin. P\u00ebrmes dy cikleve t\u00eb ftesave p\u00ebr programe\u00a0vizituese<\/i>\u00a0, u mund\u00ebsuam 22 personave nga Serbia dhe Kosova t\u00eb lidhen dhe zhvillojn\u00eb bashk\u00ebpunimin (t\u00eb ardhsh\u00ebm). Ve\u00e7an\u00ebrisht e r\u00ebnd\u00ebsishme \u00ebsht\u00eb p\u00ebrzgjedhja e 7 studiuesve t\u00eb par\u00eb q\u00eb, n\u00eb kuad\u00ebr t\u00eb programit t\u00eb\u00a0bursave<\/i>\u00a0, eksplorojn\u00eb narrativa t\u00eb reja dhe konstruktive p\u00ebr tema t\u00eb ndryshme sociale, politike dhe ekonomike. Dy konferenca online sh\u00ebrbyen p\u00ebr t\u00eb diskutuar marr\u00ebdh\u00ebniet midis Kosov\u00ebs dhe Serbis\u00eb, dhe gjithashtu organizuam 11 laborator\u00eb arsimor\u00eb p\u00ebr t\u00eb rinjt\u00eb.\u00a0N\u00eb shikim t\u00eb dyt\u00eb<\/i><\/b>. Publikun e Hartefakt Sht\u00ebpis\u00eb e \u00e7uam n\u00eb Prishtin\u00eb p\u00ebr nj\u00eb vizit\u00eb n\u00eb ngjarjen Showcase t\u00eb Teatrit t\u00eb Kosov\u00ebs, ku u shfaq edhe shfaqja jon\u00eb\u00a0Histori e shkurt\u00ebr e pleskavi\u00ebs dhe tregimeve t\u00eb tjera<\/i><\/b><\/a>, nd\u00ebrsa tre artist\u00eb kosovar\u00eb prezantuan pun\u00ebn e tyre n\u00eb Beograd:\u00a0Fidan Bejtullahu<\/b>\u00a0me ekspozit\u00ebn \u201cP\u00ebrqafim\u201d,\u00a0\u00a0dhe Yllka Brada dhe\u00a0Tadi<\/b>\u00a0t\u00eb cil\u00ebt bashk\u00ebpunuan n\u00eb dizajnimin e kostumeve dhe dizajnin muzikor p\u00ebr shfaqjen \u201cKlimaks\u201d si pjes\u00eb e projektit\u00a0Reconnection 2.0<\/i><\/b><\/a>.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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2022.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Viti u sh\u00ebnua nga proceset e transformimit, si n\u00eb planin organizativ ashtu edhe n\u00eb at\u00eb programor. Dy vjet m\u00eb par\u00eb, filloi nj\u00eb partneritet me\u00a0Fondacionin Peace Nexus<\/b>, duke rezultuar n\u00eb zhvillimin e dokumenteve strategjike dhe sistematizimin e ri. P\u00ebr t\u00eb realizuar n\u00eb m\u00ebnyr\u00eb m\u00eb efektive vizionin ton\u00eb, ne i ndam\u00eb linjat e programit n\u00eb dy segmente:\u00a0HF Sht\u00ebpia<\/b><\/a>\u00a0dhe\u00a0HF Fondacioni<\/b><\/a>. Hap\u00ebm hap\u00ebsir\u00ebn ton\u00eb t\u00eb re,\u00a0Hartefakt Sht\u00ebpin\u00eb<\/b><\/a>\u00a0n\u00eb qend\u00ebr t\u00eb Beogradit, ku u dhan\u00eb tri shfaqje t\u00eb reja premier\u00eb:\u00a0Biri yn\u00eb<\/b><\/a>\u00a0(t. i r. Patrik Laziq),\u00a0Histori e shkurt\u00ebr e pleskavic\u00ebs dhe tregime t\u00eb tjera<\/b><\/a>\u00a0(ap. Andrej Nosov) \u00a0dhe\u00a0Do t\u00eb ishte keq n\u00ebse bim\u00ebt do t\u00eb shuheshin\u00a0<\/b><\/a>\u00a0( t. i r. Ivor Martiniq). N\u00eb Jav\u00ebn e Krenaris\u00eb, organizuam\u00a0\u00a04. Festivalin Teatror t\u00eb Krenaris\u00eb<\/b><\/a>. E ve\u00e7anta e festivalit t\u00eb k\u00ebtij viti \u00ebsht\u00eb se ai u zhvillua si pjes\u00eb e ngjarjes\u00a0EuroPride 2022<\/b>, ngjarja m\u00eb e madhe LGBTI+ n\u00eb Evrop\u00eb. Gjithashtu kemi hapur dyert e Sht\u00ebpis\u00eb p\u00ebr performancat e mysafir\u00ebve rajonal\u00eb q\u00eb nuk mund t\u00eb shihen (shpesh) n\u00eb skenat e tjera t\u00eb Beogradit. B\u00ebm\u00eb paraqitjen ton\u00eb t\u00eb par\u00eb t\u00eb ftuar n\u00eb bashk\u00ebpunim me Teatrin e Luft\u00ebs s\u00eb Sarajev\u00ebs dhe shfaqjen e tyre\u00a0N\u00eb vizit\u00eb te zoti Green<\/b><\/a>, nj\u00eb projekt autorial nga Alban Ukaj, Miki Trifunov dhe Nejra Babiq. Si pjes\u00eb e programit\u00a0Reconnection 2.0<\/b><\/a>\u00a0, organizuam nj\u00eb paraqitje t\u00eb ftuar t\u00eb\u00a0Projektit Handke<\/b><\/a>\u00a0t\u00eb shfaqjes s\u00eb Kosov\u00ebs n\u00eb Teatrin BITEF, sh\u00ebtit\u00ebm me shfaqjen ton\u00eb Djali yn\u00eb n\u00eb\u00a0Prishtin\u00eb dhe Gjilan<\/b><\/a>\u00a0(ku u luajt shfaqja e par\u00eb serbe, me ftes\u00eb n\u00eb 23 vjet) dhe organizuam kat\u00ebr rezidenca artistike t\u00eb artist\u00ebve serb\u00eb n\u00eb Prishtin\u00eb dhe shfaqe kosovare n\u00eb Beograd. Kemi botuar nj\u00eb p\u00ebrkthim serbisht t\u00eb dy dramave t\u00eb reja t\u00eb\u00a0autores s\u00eb shquar kosovare Doruntina Basha<\/b>. M\u00eb 11. Konkursi Hartefakt p\u00ebr tekstin dramatik m\u00eb t\u00eb mir\u00eb bashk\u00ebkohor t\u00eb angazhuar me gjat\u00ebsi t\u00eb plot\u00eb zgjodhi\u00a0Blerja e qum\u00ebshtit<\/b><\/a>\u00a0t\u00eb autorit nga Osijeku, Davor Shpishiq, si tekstin fitues. Kemi marr\u00eb mb\u00ebshtetje nga Evropa Kreative p\u00ebr 4 projekte, \u00a0dhe n\u00eb vitin 2022 tashm\u00eb kemi filluar aktivitetet n\u00eb projektin\u00a0Poet\u00ebt e t\u00eb sotmes \u2013 Z\u00ebrat e t\u00eb nes\u00ebrmes, i<\/i><\/b><\/a>\u00a0cili synon t\u00eb sjell\u00eb rregullisht poezin\u00eb n\u00eb klasat e shkollave n\u00eb nj\u00eb m\u00ebnyr\u00eb tjet\u00ebr dhe inovative. Gjat\u00eb ngjarjes Europride 2022, organizuam dhe\/ose bashk\u00eborganizuam\u00a0nj\u00eb duzin\u00eb ekspozitash<\/b>\u00a0t\u00eb artist\u00ebve queer, dhe n\u00eb fund t\u00eb vitit mor\u00ebm pjes\u00eb edhe n\u00eb produksionin e ekspozit\u00ebs s\u00eb madhe t\u00eb Mrgjan Bajiq\u00a0Rr\u00ebfyesi i pabesuesh\u00ebm<\/b><\/a>\u00a0n\u00eb Muzeun e Artit Bashk\u00ebkohor. Festuam episodin e 200-t t\u00eb podkastit\u00a0K\u00ebnaq\u00ebsia n\u00eb tekstin\u00a0<\/b><\/a>\u00a0e Biljana Srbljanoviq dhe Vlladimir Ceriq. Na u dha \u00c7mimi prestigjioz i\u00a0Ibsen Scope<\/b>\u00a0p\u00ebr projektin\u00a0Ata nuk jan\u00eb m\u00eb<\/b>, nj\u00eb shfaqje e ardhshme mbi tem\u00ebn e gjenocidit n\u00eb Srebrenic\u00eb. Si zbatues t\u00eb projektit\u00a0Kultur\u00eb p\u00ebr Demokraci<\/b><\/a>\u00a0(CfD), kemi mb\u00ebshtetur\u00a021 projekte<\/b>\u00a0n\u00eb fush\u00ebn e kultur\u00ebs dhe artit bashk\u00ebkohor: 13 grante p\u00ebr projekte kulturore dhe artistike, 6 grante partneriteti dhe 2 grante p\u00ebr hijezim t\u00eb vendeve t\u00eb pun\u00ebs. Kemi zbatuar edhe 3 cikle t\u00eb\u00a0Shkoll\u00ebs s\u00eb\u00a0Kosov\u00ebs<\/b><\/a>\u00a0p\u00ebr 30 t\u00eb rinj nga Serbia dhe Kosova.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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2021.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Si nj\u00eb program i ve\u00e7ant\u00eb n\u00eb kuad\u00ebr t\u00eb Fondit Hartefakt, Fondacioni u riaktivizua dhe me mb\u00ebshtetjen e qeveris\u00eb zvicerane, filloi projekti\u00a0Kultura p\u00ebr Demokraci<\/b><\/a>.<\/b>\u00a0Katarina Nikoli\u00e7 fitoi\u00a0Konkursin p\u00ebr Tekstin e Dram\u00ebs Bashk\u00ebkohore t\u00eb Angazhuar<\/b><\/a>\u00a0me dram\u00ebn\u00a0Dritare<\/b>. \u00c7mimi u dha n\u00eb\u00a0Festivalin Hartefakt<\/b><\/a>\u00a0t\u00eb mbajtur n\u00eb Angelo Hub dhe leximi skenik u krye nga student\u00ebt e vitit t\u00eb dyt\u00eb t\u00eb aktrimit n\u00eb Fakultetin e Arteve Dramatike n\u00eb Beograd n\u00eb klas\u00ebn e Marija Milosheviq. U mbajt\u00ebn konsultime me\u00a0Fondacionin Nexus p\u00ebr Paqe<\/b>\u00a0dhe u miratua nj\u00eb plan i ri strategjik p\u00ebr periudh\u00ebn 2022-2025. N\u00eb shtator, u organizua\u00a0Festivali i Teatrit t\u00eb Krenaris\u00eb<\/b><\/a>, ku interpretoi edhe artisti kosovar Agon Rexehpi, i cili mori nj\u00eb rezidenc\u00eb n\u00eb kuad\u00ebr t\u00eb programit\u00a0Reconnection 2.0<\/b>.\u00a0<\/a>N\u00eb kuad\u00ebr t\u00eb t\u00eb nj\u00ebjtit program u p\u00ebrkthye dhe u botua libri\u00a0Sh\u00ebnimet e krimbit t\u00eb Smolinski<\/b>\u00a0t\u00eb autorit kosovar Azem Deliu, i cili u promovua n\u00eb\u00a0Festivalin Hartefakt<\/b>\u00a0n\u00eb dhjetor.\u00a0\u00a0Programi p\u00ebr Lidership<\/b>\u00a0u organizua p\u00ebr rreth 20 lider\u00eb t\u00eb rinj nga Ballkani Per\u00ebndimor, dhe n\u00eb kuad\u00ebr t\u00eb projektit\u00a0Forum Europe\u00a0<\/b><\/a>, u organizuan 10 debate q\u00eb adresuan problemet kryesore sociale me t\u00eb cilat p\u00ebrballen t\u00eb gjitha vendet e rajonit. Vazhdon organizimi i\u00a0Speed dating<\/i><\/b>\u00a0\u00a0si form\u00eb e rrjet\u00ebzimit n\u00eb hap\u00ebsir\u00ebn virtuale dhe tejkalimi i kufizimeve fizike p\u00ebr shkak t\u00eb pandemis\u00eb s\u00eb virusit. Ajo u zgjerua me zbatimin e programit t\u00eb\u00a0Shkoll\u00ebs s\u00eb Kosov\u00ebs\u00a0<\/b><\/a>, p\u00ebrmes t\u00eb cilit 33 pjes\u00ebmarr\u00ebs kaluan gjat\u00eb vitit, dhe p\u00ebr shkak t\u00eb pandemis\u00eb s\u00eb virusit COVID-19, u organizua nj\u00eb vizit\u00eb n\u00eb Prishtin\u00eb. U zbatua projekti\u00a0Media Voices<\/b>\u00a0, i cili synonte t\u00eb lidhte t\u00eb rinjt\u00eb nga Kosova dhe Serbia, t\u00eb cil\u00ebt krijuan nj\u00eb seri podcast-esh mbi tema t\u00eb ndryshme q\u00eb lidhin dy shoq\u00ebrit\u00eb. U publikuan 32 episode t\u00eb podkastit\u00a0K\u00ebnaq\u00ebsia n\u00eb tekst<\/b>\u00a0dhe vazhduan shfaqjet\u00a0Balava<\/b>\u00a0Gishti<\/b>,\u00a0Gjasht\u00eb tetori<\/b>\u00a0dhe\u00a0Xhaxha Vanja<\/b>vazhduan.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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2020.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Benjamin Bajramoviq fitoi konkursin p\u00ebr dram\u00eb bashk\u00ebkohore t\u00eb angazhuar me shfaqjen\u00a0Bordel Eden <\/b>nd\u00ebrsa leximi skenik u krye nga student\u00ebt\u00a0e Akademis\u00eb s\u00eb Arteve<\/b>\u00a0nga Sarajeva n\u00eb klas\u00ebn e profesorit Ermin Bravo. Gjat\u00eb vitit, u zbatua projekti\u00a0Future Epics<\/b>. Pavar\u00ebsisht v\u00ebshtir\u00ebsive t\u00eb shkaktuara nga pandemia e virusit Covid-19, e cila filloi n\u00eb mars, premiera e shfaqjes\u00a0Intimiteti<\/b>\u00a0u mbajt n\u00eb\u00a0Festivalin Veror t\u00eb Dubrovnikut<\/b>\u00a0, me protagonist\u00eb Leon Lu\u00e7ev dhe Jelena Graovac. N\u00eb bashk\u00ebpunim me Teatrin Komb\u00ebtar n\u00eb Nish, u dha premiera e shfaqjes s\u00eb Tisa Miliq,\u00a0Gjasht\u00eb tetori<\/b>\u00a0, me regji t\u00eb Andrej Nosov. Megjith\u00ebse ishte e v\u00ebshtir\u00eb t\u00eb udh\u00ebtohej p\u00ebr shkak t\u00eb pandemis\u00eb s\u00eb virusit Covid-19, shfaqja\u00a0\u00a0Balava\u00a0<\/b>do t\u00eb shfaqet n\u00eb Prishtin\u00eb dhe Ferizaj. U organizuan\u00a0Festivali i Teatrit t\u00eb Krenaris\u00eb<\/b>\u00a0dhe\u00a0Festivali Hartefakt<\/b>. Platforma online\u00a0Forum Europe<\/b><\/a>\u00ebsht\u00eb organizuar m\u00eb shum\u00eb se 20 her\u00eb, nd\u00ebrsa\u00a0Speed dating<\/i><\/b>\u00a0p\u00ebrdoret si nj\u00eb form\u00eb e ve\u00e7ant\u00eb interaktive p\u00ebr t\u00eb lidhur njer\u00ebzit n\u00eb koh\u00eb pandemie. T\u00eb gjitha prodhimet e Hartefakt ishin n\u00eb dispozicion n\u00eb internet gjat\u00eb pandemis\u00eb. N\u00eb kuad\u00ebr t\u00eb programit t\u00eb\u00a0Shkoll\u00ebs s\u00eb Kosov\u00ebs\u00a0<\/b>, u organizuan dy seminare, nj\u00eb vizit\u00eb digjitale dhe nj\u00eb num\u00ebr i ngjarjeve t\u00eb tjera online t\u00eb p\u00ebrshtatura me realitetin e ri n\u00eb t\u00eb cilin jetonim. Nj\u00eb seri debatesh dhe leximesh n\u00eb internet sh\u00ebnuan 25 vjet q\u00eb nga gjenocidi n\u00eb Srebrenic\u00eb.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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2019.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Premiera e\u00a0Xhaxha Vanja<\/b>\u00a0i \u00c7ehov, me regji t\u00eb Andrej Nosov, u mbajt n\u00eb Vrshac, nd\u00ebrsa vazhdoi shfaqja e shfaqjeve:\u00a0Fantazma<\/b>,\u00a0Gishti<\/b>\u00a0dhe\u00a0Balava<\/b>. P\u00ebrfundoi skulptura p\u00ebr monumentin e Zoran Gjingjiqit, kryeministrit t\u00eb vrar\u00eb t\u00eb Republik\u00ebs s\u00eb Serbis\u00eb.\u00a0 U organizua\u00a0Festivali Hartefakt<\/b>, si dhe\u00a0Festivali i par\u00eb i Teatrit t\u00eb Krenaris\u00eb<\/b>\u00a0n\u00eb Beograd, i cili paraqiti shfaqje nga Shtetet e Bashkuara, Britania e Madhe, Kosova dhe Serbia. Dino Peshut fitoi konkursin p\u00ebr dram\u00eb bashk\u00ebkohore me dram\u00ebn\u00a0Afterparty i fundit<\/b>. Manfred Beilharz, drejtor dhe themelues i Bienales\u00a0Neue St\u00fccke aus Europa<\/b>\u00a0, i dor\u00ebzoi n\u00eb m\u00ebnyr\u00eb simbolike trash\u00ebgimin\u00eb e k\u00ebsaj Bienaleje Hartefaktit, duke b\u00ebr\u00eb nj\u00eb lidhje midis rolit q\u00eb ngjarja luajti n\u00eb Evrop\u00eb dhe Bienales s\u00eb Beogradit, e cila duhet t\u00eb vazhdoj\u00eb tradit\u00ebn e saj. N\u00eb kuad\u00ebr t\u00eb\u00a0NEW platforme<\/b>, u organizuan masterklasa t\u00eb aktores Mirjana Karanovi\u00e7 dhe kompozitores holandeze Vanessa Lann. Hartefakt nisi projektin\u00a0Reconnection 2.0<\/a>\u00a0me Qendr\u00ebn Multimedia dhe themeloi programin e\u00a0Shkoll\u00ebs s\u00eb Kosov\u00ebs<\/a>. Dy simpoziume u organizuan me partner\u00eb nga Festivali Veror i Dubrovnikut dhe organizata Tasca nga Barcelona, si dhe masterklasa e Biljana Srbljanoviq. U zbatua edhe projekti\u00a0\u00a0Public\u00a0<\/b>, i cili analizoi dhe kritikoi p\u00ebrdorimin e gjuh\u00ebs fyese n\u00eb hap\u00ebsir\u00ebn mediatike.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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2018.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Premiera e dramave\u00a0Balava<\/b>me regji t\u00eb Andrej Nosov dhe\u00a0Shklovski: Energjia e iluzionit,<\/b>\u00a0me regji t\u00eb Branisllava Stefanoviq. Shfaqjet\u00a0Fantazmat<\/b>\u00a0Gishti\u00a0<\/b>dhe projekti autorial i Mirjana Karanoviq\u00a0Julija\u00a0<\/b>u interpretuan me sukses. Gjat\u00eb vitit, p\u00ebrfundoi\u00a0Cathexis \u2013\u00a0Innovating Theatre as Event: The Spectator as Researcher\u00a0<\/b>projekti. \u00cbsht\u00eb organizuar me sukses edhe nj\u00eb tjet\u00ebr\u00a0festival Hartefakt\u00a0<\/b>.\u00a0 Drama\u00a0Muskati do t\u00eb mbijetoj\u00eb gjith\u00e7ka<\/b>\u00a0i autores Iva Brdar fitoi konkursin p\u00ebr tekstin m\u00eb t\u00eb mir\u00eb bashk\u00ebkohor t\u00eb dram\u00ebs s\u00eb angazhuar. S\u00eb bashku me partner\u00ebt e Hartefakt, vazhdoi puna p\u00ebr projektin\u00a0Future Epics<\/b>. Gjat\u00eb vitit,\u00a0platforma NEW<\/b>filloi t\u00eb funksionoj\u00eb dhe masterklasat e saj u mbajt\u00ebn nga Biljana Srbljanoviq, Tobias Veit (drejtor ekzekutiv i Teatrit\u00a0Schaub\u00fchne\u00a0n\u00eb Berlin) dhe Ingrid Trobitz (intendant i Teatrit Residenz). U organizua konferenca\u00a0Ardhm\u00ebria e Arteve t\u00eb Performimit n\u00eb Serbi<\/b>\u00a0, e cila mblodhi s\u00eb bashku\u00a0 p\u00ebrfaq\u00ebsues t\u00eb institucioneve dhe p\u00ebrfaq\u00ebsues t\u00eb sken\u00ebs s\u00eb pavarur n\u00eb nj\u00eb vend dhe hapi nj\u00eb dialog t\u00eb nd\u00ebrsjell\u00eb. Programi\u00a0F\u00ebmij\u00ebt e viteve 90\u00a0\u00a0<\/b>dhe puna e portalit\u00a0Remarker<\/b>vazhduan.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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2017.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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U krijua portali\u00a0Remarker\u00a0<\/a>p\u00ebr art dhe politik\u00eb; u mblodh bordi redaktues i portalit, u krijuan podkaste dhe video materiale, nd\u00ebrsa spikat podkasti\u00a0K\u00ebnaq\u00ebsia n\u00eb tekst<\/a>\u00a0, e autores Biljana Srbljanoviq. Hartefakt mb\u00ebshteti dhe prodhoi projektin e autores Mirjana Karanoviq\u00a0Julija\u00a0<\/b>, i cili u dha premier\u00eb nd\u00ebrsa shfaqja\u00a0Fantazma\u00a0<\/b>\u00a0vazhdoi t\u00eb performoj\u00eb me sukses. U organizua ekspozita \u201d\u00a0Toleranca<\/b>\u00a0mbi simbolet e toleranc\u00ebs\u201d e Mirko Iliqit, si dhe nj\u00eb konkurs rajonal p\u00ebr logon e toleranc\u00ebs.\u00a0\u00a0U krijua projekti\u00a0F\u00ebmij\u00ebt e viteve 90<\/b>\u00a0dhe u organizua nj\u00eb tjet\u00ebr\u00a0Festival Hartefakt<\/b>. Stasha Bajac fitoi konkursin p\u00ebr dram\u00eb bashk\u00ebkohore me tekstin dramatik\u00a0K\u00ebsaj herre do t\u00eb jet\u00eb ndryshe<\/b>. Performanca\u00a0\u00a048 or\u00ebt zgjim\u00a0<\/b>u shfaq n\u00eb Muzeun e Artit Modern dhe Bashk\u00ebkohor n\u00eb Rijek\u00eb.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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2016.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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N\u00eb konkursin p\u00ebr tekstin m\u00eb t\u00eb mir\u00eb t\u00eb angazhuar bashk\u00ebkohor fitoi Mirza Skenderagiq me dram\u00ebn\u00a0M\u00eb zgjo kur t\u00eb mbaroj\u00eb<\/b>. Shfaqja\u00a048 or\u00eb Vigjilenc\u00eb\u00a0<\/b>vazhdoi t\u00eb shfaqet, si edhe shfaqjet\u00a0Ky varr \u00ebsht\u00eb i vog\u00ebl p\u00ebr mua,<\/b>\u00a0Fantazmat\u00a0<\/b>dhe\u00a0grat\u00eb qajn\u00eb, apo jo?<\/b>\u00a0Festivali i Toleranc\u00ebs\u00a0<\/b>u quajt\u00a0Festivali Hartefakt\u00a0<\/b>dhe u organizua n\u00eb dhjetor. N\u00eb bashk\u00ebpunim me Muzeun Unstraight nga Stokholmi, u organizua ekspozita\u00a0Jeta p\u00ebrmes pik\u00ebpamjes LGBT<\/b>, p\u00ebr t\u00eb cil\u00ebn u kujdes Nevena Negojeviq. U krijua platforma\u00a0Z\u00ebrat n\u00eb kaos kurse\u00a0<\/b>koncertin\u00a0 muzikor teatror e organizoi Irena Popoviq Dragoviq. Me\u00a0Fondacionin Komb\u00ebtar p\u00ebr Loj\u00eb, I huaji\u00a0\u00a0<\/b>sipas motiveve t\u00eb vepr\u00ebs s\u00eb Kamit me t\u00eb nj\u00ebjtin em\u00ebr, n\u00eb koreografi t\u00eb Milosh Isailoviqit. Po k\u00ebt\u00eb vit u shfaq p\u00ebr her\u00eb t\u00eb par\u00eb drama e Vuk Boshkoviqit,\u00a0Mbetjet n\u00eb festivalin N\u00ebnt\u00eb<\/b>.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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2015.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Hartefakt filloi k\u00ebt\u00eb vit duke u transformuar nga nj\u00eb organizat\u00eb e vog\u00ebl n\u00eb nj\u00eb organizat\u00eb t\u00eb mesme. Kishte tre premiera t\u00eb\u00a0Ose ke shpres\u00eb ose nuk ke<\/b>\u00a0me regji t\u00eb Andrej Nosov, nj\u00eb shfaqje nga Vesna Periq\u00a0\u00c7far\u00eb faji ka ajo, ajo nuk \u00ebsht\u00eb fajtore p\u00ebr asgj\u00eb<\/b>\u00a0me regji t\u00eb Anxhelka Nikoli\u00e7,\u00a0Fantazma\u00a0<\/b>\u00a0i Ibsen me regji t\u00eb Andrej Nosov. U interpretuan shfaqet\u00a0Ky \u00ebsht\u00eb varri im i vog\u00ebl<\/b>\u00a0me tekst t\u00eb Biljana Srbaljanovi\u00e7\u00a0Varri p\u00ebr Boris Davidovi\u00e7<\/b>\u00a0i Danilo Kish me regji t\u00eb Ivica Buljan dhe\u00a0Uria\u00a0<\/b>nga Andrej Nosov. Hartefakt merr pjes\u00eb n\u00eb\u00a0Kat\u00ebrvje\u00e7arin e\u00a0Prag\u00ebs<\/b>\u00a0si pjes\u00eb e p\u00ebrzgjedhjes komb\u00ebtare t\u00eb ekspozit\u00ebs s\u00eb kuruar nga Mia David, t\u00eb cil\u00ebs iu dha nj\u00eb medalje e art\u00eb p\u00ebr inicimin e dialogut. U organizuan tre ekspozita dhe\u00a0Srebrenica sot\u00a0<\/b>ishte ve\u00e7an\u00ebrisht e r\u00ebnd\u00ebsishme, duke sh\u00ebnuar 20 vjet q\u00eb nga gjenocidi i Srebrenic\u00ebs. \u00cbsht\u00eb krijuar\u00a0Task Forca\u00a0Evropiane<\/b>\u2013 nj\u00eb grup ekspert\u00ebsh dhe aktivist\u00ebsh p\u00ebr t\u00eb ardhmen evropiane t\u00eb rajonit. Edhe nj\u00eb her\u00eb, u organizua nj\u00eb ekspozit\u00eb me postera antimasonik\u00eb. Platforma\u00a0Intruders\u00a0<\/b>, e cila u lan\u00e7ua s\u00eb bashku me\u00a0organizat\u00ebn\u00a0Transpond<\/b>\u00a0nga Stokholmi, vazhdoi t\u00eb funksionoj\u00eb. Libri\u00a0Midis nesh<\/b>\u00a0mbi historin\u00eb e komunitetit LGBT pati promovimin e tij n\u00eb t\u00eb gjith\u00eb rajonin. N\u00eb vitin 2015, u dhan\u00eb 14 grante dhe u konceptua iniciativa filantropike\u00a0Art Friendly<\/b>. N\u00eb fund t\u00eb vitit, u filmua dokumentari\u00a0Gabriel<\/b>, i cili ndjek jet\u00ebn e nj\u00eb emigranti nga Afrika n\u00eb Serbi. Filmi nuk u p\u00ebrfundua kurr\u00eb nd\u00ebrsa Gabrieli u largua nga Serbia.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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2014.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Prodhimi i shfaqjes\u00a0Ky \u00ebsht\u00eb varri im i vog\u00ebl<\/b>\u00a0u p\u00ebrfundua sipas tekstit dramatik t\u00eb Biljana Srbljanovi\u00e7 dhe me regji t\u00eb Din Mustafiq, p\u00ebr t\u00eb cilin u organizua nj\u00eb turne veror. Drama\u00a0Varri p\u00ebr Boris Davidovi\u00e7<\/b>\u00a0bazuar n\u00eb librin e Danilo Kish dhe me regji t\u00eb Ivica Buljan, pati premier\u00ebn e saj n\u00eb qytetin \u00c7iridae n\u00eb Itali n\u00eb festivalin\u00a0Mittelfest<\/b>. Jan\u00eb realizuar shfaqjet\u00a0Hipermnesia\u00a0<\/b>me regji t\u00eb Selma Spahi\u00e7,\u00a0T\u00eb \u00e7oroditur\u00a0<\/b>nga Andrej Nosov,\u00a0Pun\u00ebtor\u00ebt vdesin duke k\u00ebnduar\u00a0<\/b>nga Andjelka Nikoli\u00e7,\u00a0Uri\u00a0<\/b>me regji t\u00eb Andrej Nosov dhe\u00a0Gishti\u00a0<\/b>me regji t\u00eb Ana Tomovi\u00e7. U mbajt\u00ebn dy ekspozita:\u00a0Postera Anti-Masonik\u00eb 1941-1942<\/b>\u00a0dhe\u00a0Asgj\u00eb p\u00ebr asgj\u00eb<\/b>\u00a0nga Srgjan \u00c7eshiq. Jan\u00eb dh\u00ebn\u00eb 12 grante. Platforma\u00a0Reconnection\u00a0<\/b>\u00a0po p\u00ebrmbyllte projekte t\u00eb vogla bashk\u00ebpunuese nd\u00ebrsa platforma\u00a0Intruders\u00a0<\/b>vazhdoi t\u00eb zhvillohej. U organizua Festivali i par\u00eb i Toleranc\u00ebs, i cili m\u00eb von\u00eb u shnd\u00ebrrua n\u00eb\u00a0Hartefakt Fesitival<\/b>.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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2013.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Hipermnesia\u00a0nga Selma Spahi\u00e7,\u00a0Pun\u00ebtor\u00ebt vdesin, duke k\u00ebnduar\u00a0<\/b>sipas tekstit t\u00eb Olga Dimitrijevi\u00e7 dhe me regji t\u00eb Andjelka Nikoli\u00e7,\u00a0\u00a0T\u00eb \u00e7oroditur<\/b>\u00a0nga Andrej Nosov,\u00a0Gishti\u00a0<\/b>nga Doruntina Basha me regji t\u00eb Ana Tomovi\u00e7. Premiera e shfaqjes\u00a0Uria<\/b>, nj\u00eb projekt autorial i Andrej Nosov dhe Vuk Boshkovi\u00e7. Ekspozita\u00a0Bogujevci \u2013 Historia vizuale<\/b>\u00a0u organizua n\u00eb bashk\u00ebpunim me Qendr\u00ebn Kulturore t\u00eb Beogradit. Platforma\u00a0Reconnection\u00a0<\/b> ka punuar n\u00eb m\u00ebnyr\u00eb aktive p\u00ebr t\u00eb lidhur Kosov\u00ebn dhe Serbin\u00eb.<\/section>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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2012.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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U shfaq\u00ebn premierat e dramave\u00a0Gishti\u00a0<\/b>sipas tekstit t\u00eb Doruntina Basha dhe me regji t\u00eb Ana Tomovi\u00e7 dhe\u00a0G\u00ebrvishtje apo si vrau veten gjyshja ime<\/b>\u00a0sipas tekstit t\u00eb Tanja Shljivar, me regji t\u00eb Selma Spahi\u00e7, n\u00eb bashk\u00ebpunim me Teatrin Bitef dhe Teatrin Komb\u00ebtar Boshnjak nga Zenica. Gjithashtu, premier\u00ebn e vet n\u00eb Bitef teatrin pati shfaqja\u00a0T\u00eb \u00e7oroditur<\/b>\u00a0me regji t\u00eb Andrei Nosov. Jan\u00eb dh\u00ebn\u00eb 18 grante t\u00eb vogla. Shfaqjet\u00a0Hipermnesia\u00a0<\/b>dhe\u00a0Pun\u00ebtor\u00ebt vdesin duke k\u00ebnduar\u00a0<\/b>vazhdojn\u00eb t\u00eb interpretojn\u00eb dhe t\u00eb fitojn\u00eb 7\u00a0 \u00e7mime Steria, nd\u00ebrsa prodhimet e tjera t\u00eb Hartefakt kan\u00eb marr\u00eb mbi 20 \u00e7mime n\u00eb festivale t\u00eb ndryshme n\u00eb vend dhe n\u00eb t\u00eb gjith\u00eb Evrop\u00ebn. S\u00eb bashku me Iniciativ\u00ebn Rinore p\u00ebr t\u00eb Drejtat e Njeriut,\u00a0Dit\u00ebt e Sarajev\u00ebs<\/b>\u00a0u organizuan n\u00eb Beograd nd\u00ebrsa programi\u00a0Reconnection\u00a0<\/b>vazhdoi t\u00eb mb\u00ebshtes\u00eb shk\u00ebmbimet midis Beogradit dhe Prishtin\u00ebs. Shfaqja\u00a0Hipermnesia\u00a0<\/b>ishte e ftuar n\u00eb Teatrin Komb\u00ebtar t\u00eb Kosov\u00ebs si shfaqja e par\u00eb nga Serbia n\u00eb 20 vjet. Vesna Peri\u00e7 fitoi konkursin p\u00ebr tekstin m\u00eb t\u00eb mir\u00eb bashk\u00ebkohor t\u00eb dram\u00ebs s\u00eb angazhuar me dram\u00ebn\u00a0\u00c7far\u00eb faji ka ajo, asgj\u00eb nuk \u00ebsht\u00eb faji i saj<\/b>.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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2011.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Premiera e shfaqjes\u00a0Hipemnesia<\/b>, me regji\u00a0t\u00eb Selma Spahiq. Doruntina Basha fitoi konkursin p\u00ebr tekstin m\u00eb t\u00eb mir\u00eb bashk\u00ebkohor t\u00eb dram\u00ebs s\u00eb angazhuar me dram\u00ebn\u00a0Gishti<\/b>. Hartefakt, s\u00eb bashku me Iniciativ\u00ebn Rinore p\u00ebr t\u00eb Drejtat e Njeriut, organizuan\u00a0Dit\u00ebt e Sarajev\u00ebs<\/b>. U dha premiera e dram\u00ebs\u00a0s\u00eb Olga Dimitrijevi\u00e7,\u00a0Pun\u00ebtor\u00ebt vdesin duke k\u00ebnduar\u00a0<\/b>me regji t\u00eb Anxhelka Nikoli\u00e7. Hartefakt ka krijuar bashk\u00ebpunim strategjik me Teatrin Bitef me q\u00ebllim promovimin e tekstit dramatik bashk\u00ebkohor. \u00cbsht\u00eb krijuar nj\u00eb partneritet strategjik me\u00a0Fondacionin Ilija Kolarac<\/b>. Vazhdoi zbatimi i programit\u00a0Reconnection\u00a0<\/b>, p\u00ebrmes t\u00eb cilit rreth 150 p\u00ebrfaq\u00ebsues t\u00eb mediave, organizatave t\u00eb shoq\u00ebris\u00eb civile dhe artist\u00eb nga t\u00eb dy shoq\u00ebrit\u00eb mor\u00ebn pjes\u00eb n\u00eb mbi 10 vizita, nd\u00ebrsa Hartefakt dha 15 grante t\u00eb vogla dhe organizoi\u00a0Shkoll\u00ebn e par\u00eb\u00a0Verore t\u00eb Prodhimit<\/b>.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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2010.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Hartefakt, s\u00eb bashku me Iniciativ\u00ebn Rinore p\u00ebr t\u00eb Drejtat e Njeriut, organizuan\u00a0Dit\u00ebt e Sarajev\u00ebs<\/b>\u00a0dhe ve\u00e7an\u00ebrisht leximet skenike t\u00eb tre pjes\u00ebve m\u00eb t\u00eb suksesshme nga konkursi, tema e t\u00eb cilave ishte marr\u00ebdh\u00ebnia midis Beogradit dhe Sarajev\u00ebs. U mbajt konkursi i par\u00eb p\u00ebr tekstin m\u00eb t\u00eb mir\u00eb bashk\u00ebkohor t\u00eb dram\u00ebs s\u00eb angazhuar dhe fituesja e konkursit ishte Olga Dimitrijevi\u00e7 me tekstin\u00a0Pun\u00ebtor\u00ebt vdesin duke k\u00ebnduar<\/b>. Hartefakt ndihmoi artisten Milica Tomi\u00e7 n\u00eb realizimin e projektit t\u00eb autorial\u00a0Kat\u00ebr fytyrat e Omarsk\u00ebs<\/b>. U organizua nj\u00eb konferenc\u00eb mbi bashk\u00ebpunimin rajonal t\u00eb organizatave artistike n\u00eb kuad\u00ebr t\u00eb festivalit t\u00eb teatrit\u00a0MESS<\/b>. Hartefakt dha 8 grantet e para. U krijua platforma\u00a0Reconnection\u00a0<\/b>p\u00ebr bashk\u00ebpunimin Kosov\u00eb-Serbi dhe u organizuan 12 vizita p\u00ebr aktor\u00eb t\u00eb ndrysh\u00ebm. P\u00ebr her\u00eb t\u00eb par\u00eb, u nis nj\u00eb iniciativ\u00eb p\u00ebr nj\u00eb shfaqje nga Teatri Komb\u00ebtar n\u00eb Prishtin\u00eb q\u00eb do t\u00eb shfaqej n\u00eb Beograd, n\u00eb Atelier 212, por p\u00ebr shkak t\u00eb pamund\u00ebsis\u00eb p\u00ebr t\u00eb arritur nj\u00eb marr\u00ebveshje p\u00ebr m\u00ebnyr\u00ebn e paraqitjes s\u00eb mysafir\u00ebve nga Prishtina, paraqitja e mysafir\u00ebve u anulua. N\u00eb t\u00eb nj\u00ebjtin vit, u hap zyra e Hartefakt n\u00eb Prishtin\u00eb.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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2009.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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N\u00eb fillim t\u00eb korrikut, pas largimit nga Nisma Rinore p\u00ebr t\u00eb Drejtat e Njeriut, Andrei Nosov themeloi Fondin Hartefakt si nj\u00eb fondacion rajonal q\u00eb mb\u00ebshtet krijimin e nj\u00eb hap\u00ebsire t\u00eb p\u00ebrbashk\u00ebt kulturore n\u00eb Ballkanin Per\u00ebndimor dhe praktikat kritike artistike. N\u00eb vitin e par\u00eb t\u00eb ekzistenc\u00ebs, Hartefakt mb\u00ebshteti 5 projekte t\u00eb organizatave artistike dhe filloi pun\u00ebn e saj operacionale.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Partner\u00ebt<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Donator\u00ebt<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Historiku i Hartefakt 2024. 2024. N\u00eb vitin 2024, Heartefact u karakterizua me vazhdim dhe transformim: jo vet\u00ebm n\u00eb programimin ton\u00eb, por edhe n\u00eb m\u00ebnyr\u00ebn se si pozicionohemi n\u00eb rajon. Ne vazhduam t\u00eb forcojm\u00eb rolin ton\u00eb p\u00ebrmes HF Fondation dhe HF House, nd\u00ebrsa gjithashtu b\u00ebm\u00eb nj\u00eb hap t\u00eb r\u00ebnd\u00ebsish\u00ebm duke themeluar zyrtarisht nj\u00eb shtyll\u00eb programore t\u00eb […]<\/p>\n","protected":false},"author":1,"featured_media":9185,"parent":7804,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-8003","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nHistoria - Heartefact<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/heartefact.org\/sq\/rreth-nesh\/historia\/\" \/>\n<meta property=\"og:locale\" content=\"sq_AL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Historia - Heartefact\" \/>\n<meta property=\"og:description\" content=\"Historiku i Hartefakt 2024. 2024. N\u00eb vitin 2024, Heartefact u karakterizua me vazhdim dhe transformim: jo vet\u00ebm n\u00eb programimin ton\u00eb, por edhe n\u00eb m\u00ebnyr\u00ebn se si pozicionohemi n\u00eb rajon. 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