{"id":27996,"date":"2026-07-09T09:53:34","date_gmt":"2026-07-09T09:53:34","guid":{"rendered":"https:\/\/heartefact.org\/uspesni-projekti\/manifest-2-0-collective-self-education-as-an-intervention-in-the-context-of-serbia-s-independent-cultural-scene-centre-e8-reflektor-teatar\/"},"modified":"2026-07-09T11:57:55","modified_gmt":"2026-07-09T11:57:55","slug":"manifest-2-0-collective-self-education-as-an-intervention-in-the-context-of-serbia-s-independent-cultural-scene-centre-e8-reflektor-teatar","status":"publish","type":"uspesni-projekti","link":"https:\/\/heartefact.org\/en\/successful-projects\/manifest-2-0-collective-self-education-as-an-intervention-in-the-context-of-serbia-s-independent-cultural-scene-centre-e8-reflektor-teatar\/","title":{"rendered":"Manifest 2.0 \u2013 Collective Self-Education as an Intervention in the Context of Serbia\u2019s Independent Cultural Scene &#8211; Centre E8, Reflektor Teatar"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><b>Project description: <\/b><span style=\"font-weight: 400;\">For Reflektor Teatar, <\/span><i><span style=\"font-weight: 400;\">Manifest 2.0<\/span><\/i><span style=\"font-weight: 400;\"> marked an important step forward, as the company invited a guest director for the first time. Filip Petkovski from Skopje, North Macedonia, joined the project with the aim of introducing new working methods and methodologies, enabling the ensemble to expand its artistic practice. His choreography workshops, based on the Suzuki and Viewpoints techniques, proved particularly valuable for the participants. Alongside Petkovski, the creative team included Milena Bogavac, Nemanja Marinovi\u0107, Jovan Zdravkovi\u0107, Isidora Bulatovi\u0107, Vojkan Arsi\u0107, and Igor Markovi\u0107. The workshops initially brought together twenty actors associated with Reflektor Teatar, from whom \u0110or\u0111e \u017divadinovi\u0107 Grgur, Aleksandar Stoimenovski, Milena Bo\u017ei\u0107, Lazar Nikoli\u0107, and Tanja Petrovi\u0107 \u017divkovi\u0107 were later selected to perform in the production.<\/span><\/p>\n\n<p class=\"wp-block-paragraph\"><span style=\"font-weight: 400;\">Following its premiere, <\/span><i><span style=\"font-weight: 400;\">Manifest 2.0<\/span><\/i><span style=\"font-weight: 400;\"> had two additional performances as part of Reflektor Teatar\u2019s repertoire before touring to Kraljevo, where it was presented at the A.N.F.I. Theatre Festival, and to Novi Sad, where it was performed at the Pokretnica Festival. Each performance was followed by discussions with audiences interested in contemporary avant-garde theatre. Kraljevo and Novi Sad were identified as cities with active independent cultural scenes, making collaboration with local independent cultural actors an important aspect of the project. Although ecology was not one of the project\u2019s primary themes, the stage design, costumes, and props were created entirely from recycled materials. No new set pieces or costume items were produced for the performance.<\/span><\/p>\n\n<p class=\"wp-block-paragraph\"><span style=\"font-weight: 400;\">A distinctive component of the project was a series of five public lectures. The programme opened with Dr Milena Dragi\u0107evi\u0107 \u0160e\u0161i\u0107\u2019s lecture, <\/span><i><span style=\"font-weight: 400;\">Manifesto: A Guide, Inspiration or the Iron Cage of the Avant-Garde<\/span><\/i><span style=\"font-weight: 400;\">, which focused largely on questions of inclusion and diversity in contemporary theatre. This was followed by Dr Nele Tonkovi\u0107\u2019s <\/span><i><span style=\"font-weight: 400;\">The World Owes Heroes: The Futurist Manifesto and Its Role in Transforming the World<\/span><\/i><span style=\"font-weight: 400;\">; Dr Sr\u0111an Milo\u0161evi\u0107\u2019s <\/span><i><span style=\"font-weight: 400;\">Marx and Engels\u2019 Manifesto: A Historical Perspective<\/span><\/i><span style=\"font-weight: 400;\">; Aleksandra Petkovi\u0107 TKV\u2019s <\/span><i><span style=\"font-weight: 400;\">Street Art: A Manifesto of Freedom<\/span><\/i><span style=\"font-weight: 400;\">; and Frosine Dimovska and Dunja Crnjanski\u2019s <\/span><i><span style=\"font-weight: 400;\">This Is \/ This Is Not \/ This Will Be: The Manifesto as a Thought Exercise<\/span><\/i><span style=\"font-weight: 400;\">. The final lecture took place in Novi Sad at the SKUP venue as part of the Pokretnica Festival.<\/span><\/p>\n\n<p class=\"wp-block-paragraph\"><span style=\"font-weight: 400;\">The project also included the production and publication of a five-episode web series on the Zoomer.rs portal. The episodes explored different artistic movements, including Futurism, Minimalism, Dadaism, and the Art of Maintenance.<\/span><\/p>\n\n<p class=\"wp-block-paragraph\"><strong>Grant amount:<\/strong> 1,600,000.00 RSD<\/p>\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"27732\" src=\"https:\/\/heartefact.org\/wp-content\/uploads\/2026\/07\/DSK2170-Enhanced-NR-1-1024x683.jpg\" alt=\"\" class=\"wp-image-27732\" srcset=\"https:\/\/heartefact.org\/wp-content\/uploads\/2026\/07\/DSK2170-Enhanced-NR-1-1024x683.jpg 1024w, https:\/\/heartefact.org\/wp-content\/uploads\/2026\/07\/DSK2170-Enhanced-NR-1-300x200.jpg 300w, https:\/\/heartefact.org\/wp-content\/uploads\/2026\/07\/DSK2170-Enhanced-NR-1-768x512.jpg 768w, https:\/\/heartefact.org\/wp-content\/uploads\/2026\/07\/DSK2170-Enhanced-NR-1-1536x1024.jpg 1536w, https:\/\/heartefact.org\/wp-content\/uploads\/2026\/07\/DSK2170-Enhanced-NR-1-2048x1365.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"27736\" src=\"https:\/\/heartefact.org\/wp-content\/uploads\/2026\/07\/Lead-4-1024x683.jpg\" alt=\"\" class=\"wp-image-27736\" srcset=\"https:\/\/heartefact.org\/wp-content\/uploads\/2026\/07\/Lead-4-1024x683.jpg 1024w, https:\/\/heartefact.org\/wp-content\/uploads\/2026\/07\/Lead-4-300x200.jpg 300w, https:\/\/heartefact.org\/wp-content\/uploads\/2026\/07\/Lead-4-768x512.jpg 768w, https:\/\/heartefact.org\/wp-content\/uploads\/2026\/07\/Lead-4-1536x1024.jpg 1536w, https:\/\/heartefact.org\/wp-content\/uploads\/2026\/07\/Lead-4-2048x1365.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"27728\" src=\"https:\/\/heartefact.org\/wp-content\/uploads\/2026\/07\/DSK2313-Enhanced-NR-1-1024x683.jpg\" alt=\"\" class=\"wp-image-27728\" srcset=\"https:\/\/heartefact.org\/wp-content\/uploads\/2026\/07\/DSK2313-Enhanced-NR-1-1024x683.jpg 1024w, https:\/\/heartefact.org\/wp-content\/uploads\/2026\/07\/DSK2313-Enhanced-NR-1-300x200.jpg 300w, https:\/\/heartefact.org\/wp-content\/uploads\/2026\/07\/DSK2313-Enhanced-NR-1-768x512.jpg 768w, https:\/\/heartefact.org\/wp-content\/uploads\/2026\/07\/DSK2313-Enhanced-NR-1-1536x1024.jpg 1536w, https:\/\/heartefact.org\/wp-content\/uploads\/2026\/07\/DSK2313-Enhanced-NR-1-2048x1365.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n","protected":false},"featured_media":27738,"template":"","filter-tag":[264,197],"oblast":[181],"class_list":["post-27996","uspesni-projekti","type-uspesni-projekti","status-publish","has-post-thumbnail","hentry","filter-tag-theater-audience","filter-tag-theater-professionals","oblast-performing-arts"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Podr\u017eani Projekti | Heartefact<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/heartefact.org\/en\/successful-projects\/manifest-2-0-collective-self-education-as-an-intervention-in-the-context-of-serbia-s-independent-cultural-scene-centre-e8-reflektor-teatar\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Podr\u017eani Projekti | Heartefact\" \/>\n<meta property=\"og:description\" content=\"Project description: For Reflektor Teatar, Manifest 2.0 marked an important step forward, as the company invited a guest director for the first time. Filip Petkovski from Skopje, North Macedonia, joined the project with the aim of introducing new working methods and methodologies, enabling the ensemble to expand its artistic practice. 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