{"id":8035,"date":"2021-09-07T13:16:00","date_gmt":"2021-09-07T13:16:00","guid":{"rendered":"https:\/\/heartefact.org\/program-of-heartefacts-pride-theatre-festival\/"},"modified":"2022-07-26T10:31:40","modified_gmt":"2022-07-26T10:31:40","slug":"program-of-heartefacts-pride-theatre-festival","status":"publish","type":"post","link":"https:\/\/heartefact.org\/en\/program-of-heartefacts-pride-theatre-festival\/","title":{"rendered":"Program of Heartefact\u2019s Pride Theatre Festival"},"content":{"rendered":"\n

Sunday, September 12, 8:00 p.m.<\/strong> \n\u201cRa\u0161a Plaovi\u0107\u201d Stage, the National Theater in Belgrade<\/strong> \n\u201cAn Ongoing Song\u201d (The Netherlands, DAS Theater)<\/strong><\/p>\n\n

Beyond nostalgia and stigma.<\/strong><\/p>\n\n

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\u201cAn Ongoing Song\u201d is a piece of visual and physical theater which addresses the issue of mistrust towards one own\u2019s body. Using props made of latex and wood, as well as plants in medicine bottles alongside laboratory glass containers, Szymon Adamczak and Billy Mullaney examine the corresponding agents between humans and the virus. The play, which takes a form of a duet, attempts to understand and manage the relationships in the presence of the HIV virus. Through the reiteration and reinvestment of the inherited performative gestures, the artists juggle the complexity of human relationships, risk-taking, danger, desire, vulnerability, self-harm, dependency, loss of innocence, morbid humor and affection. This performance piece is the result of the artists\u2019 wish to understand what it is like to live with HIV nowadays. It intends to provide the audience with the insight into the perspective which aims beyond nostalgia and stigma \u2013 the concepts commonly related to HIV and AIDS. \n \n<\/p>\n\n

Online tickets purchase\u00a0here<\/a>.<\/p>\n\n

Duration: 60 minutes \nDirected by: Szymon Adamczak \nCast: Szymon Adamczak and Billy Mullaney \nSet design: Pawe\u0142 Szubert \nDramaturgy and music: Panna Adorj\u00e1ni \nCostume: Stefan Vella \nAssociates: Manolis Tsipos, Zhana Ivanova \nMentor: Jeroen Fabius<\/p>\n\n

___________________________________________________________________________________________________________________________________________________________<\/strong><\/p>\n\n

Monday, September 13, 12 p.m., the Cultural Center \u201cGrad\u201d<\/strong> \nPride theater matinee with the author of the play \u201cAn Ongoing Song\u201d and the \u201cPotent\u201d organization<\/strong> \n \nParticipants: Szymon Adamczak, the \u201cPotent\u201d organization<\/strong><\/p>\n\n

\"\"<\/figure><\/div>\n\n

On the first day of the festival, within its special program unit \u2013 the Pride theater matinee, the audience and young artists of various educational profiles will have an opportunity to talk to the author about his work on the play, his experience during the creation process, as well as about what it means to be queer and an HIV positive artist in today\u2019s performance art practices. The members of the community and the guests of the festival will also have an opportunity to talk to the partners from the \u201cPotent\u201d organization \u2013 the National Center for Sexual and Reproductive Health. Besides, free testing for HIV will be provided at the Cultural Center \u201cGrad\u201d during the entire day.<\/p>\n\n

___________________________________________________________________________________________________________________________________________________________<\/strong><\/p>\n\n

Monday, September 13, 8:00 p.m., The Institution of Culture \u201cVuk\u201d<\/strong> \nFear of Butterflies (Serbia, The Institution of Culture \u201cVuk\u201d and \u201cOptimist\u201d magazine)<\/strong> \nThe metamorphosis to freedom.<\/strong><\/p>\n\n

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The play \u201cFear of Butterflies\u201d concerns the issue of personal freedom, betrayal and love which is viewed through the relationship among actors from a number of different perspectives (gender, sexual and political). Based on the biography of Vjeran Miladinovi\u0107 Merlinka and the motifs of the novel \u201cKiss of the Spider Woman\u201d, the play attempts to answer the question of how we fight for freedom, what freedom means and what its price is. The space of prison where the action of the play is being performed forces its protagonists, Vjeran and Nikola, to engage in an interesting activity of inventing, retelling and imagining various film templates as a means of sheltering themselves, at least temporarily, from the reality they live in. By means of interesting directorial ideas, through manipulation and passing over in silence, the play brings to the stage two marginalized people (a political prisoner and a male prostitute), thus showing all the dangers of the Otherness in today\u2019s world.<\/p>\n\n

Online tickets purchase\u00a0here<\/a>.<\/p>\n\n

Duration: 80 minutes \nDirected by: Isidora Gonci\u0107 \nDramaturgy: Galina Maksimovi\u0107 \nCast: Du\u0161an Kali\u010danin, Zoran Paji\u0107, Svetislav Gonci\u0107 \nSet design: Milan Miladinovi\u0107 \nCostume: Mina Miladinovi\u0107 \nProducer: Predrag Azdejkovi\u0107 \nOrganizer: Jovana Stojkovi\u0107<\/p>\n\n

___________________________________________________________________________________________________________________________________________________________<\/strong><\/p>\n\n

Tuesday, September 14, 8:00 p.m.<\/strong> \n\u201cRa\u0161a Plaovi\u0107\u201d Stage, the National Theater in Belgrade<\/strong> \n\u201cMind the Gap\u201d (Croatia, The Croatian National Theater in Vara\u017edin)<\/strong> \nThere are so many topics in the world to talk about.<\/strong><\/p>\n\n

\"\"<\/figure><\/div>\n\n

The third festival day will see the performance of the play \u201cMind the Gap\u201d by Romano Nikoli\u0107. By situating the play\u2019s protagonists at the station, the director creates a drama situation whereby, according to the author, \u201che raises the question of what it means to be the Other and different, as well as of the extent to which we are actually different, being the Other\u201d. By adopting a documentary approach to the play, the protagonists\u2019 encounters become the ground for the interpretation of the many ways we see other people through different stereotypes and prejudices that we bring to our relationships. By means of intimate confessions and interwoven storylines, the play attempts to stress the need for viewing all differences in identities, outlooks on the world and policies from the perspectives of empathy and similarities rather than from those of hatred, lack of understanding and differences.<\/p>\n\n

Online tickets purchase\u00a0here<\/a>.<\/p>\n\n

Duration: 80 minutes \nDirected by: Romano Nikoli\u0107 \nDramaturg: Olja Lozica \nCast: Hana Hegedu\u0161i\u0107, Rober Plemi\u0107, Iva Kraljevi\u0107, Beti Lu\u010di\u0107, Spazam Orgazam \nCostume and set designer: Zdravka Ivandija Kirigin \nMusic: Damir \u0160imunovi\u0107 \nVideo: Ivan Lik \nLighting designer: Vesna Kolarec \nProduction: The Croatian National Theater in Vara\u017edin<\/p>\n\n

___________________________________________________________________________________________________________________________________________________________<\/strong><\/p>\n\n

Wednesday, September 15, 8:00 p.m.<\/strong> \n\u201cPredrag Pepi Lakovi\u0107\u201d Stage, the Belgrade Drama Theater<\/strong> \nWater Drops on Burning Rocks (Serbia, the Belgrade Drama Theater)<\/strong> \nOur limits determine our lives.<\/strong><\/p>\n\n

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The play \u201cWater Drops on Burning Rocks\u201d by Jug \u0110or\u0111evi\u0107, based on the text by Rainer Fassbinder, aims at revealing, by means of the relationship between the actor and the director working together on the play, the dynamics of power(lessness) which frequently dominates the relationships outside the professional domain. To point that out more cleraly, using the relationships between two homosexual couples as well as the relationships of two men onstage and offstage, the play further attempts to answer the questions as to why it is so difficult for us to jump out of our own roles and to what extent the dynamics of heteronormative relationships determine our life \u2013 more often than not to a greater extent than it is determined by those decisions we consider our own.<\/p>\n\n

Online tickets purchase\u00a0here<\/a>.<\/p>\n\n

Duration: 90 minutes \nDirected by: Jug \u0110or\u0111evi\u0107 \nText: Rainer Werner Fassbinder \nTranslated by: Jelena Kosti\u0107 Tomovi\u0107 \nDramaturg: Tijana Grumi\u0107 \nCast: Ljubinka Klari\u0107, Iva Ilin\u010di\u0107, Pavle Peki\u0107, Aleksandar Vu\u010dkovi\u0107 \nSet designer: Andreja Rondovi\u0107 \nCostume designer: Velimirka Damjanovi\u0107 \nComposer: Julija \u0110or\u0111evi\u0107 \nStage movement: Damjan Kecojevi\u0107 \nLighting designer: Sr\u0111an Jovanovi\u0107<\/p>\n\n

Organizer: Biljana Rami\u0107, PhD \nStage manager: Jovana Mati\u0107 \nPrompter: Jovana Mati\u0107<\/p>\n\n

___________________________________________________________________________________________________________________________________________________________<\/strong><\/p>\n\n

Thursday, September 16, 8:00 p.m.<\/strong> \nEnd\u017eio HAB, 4 Dobra\u010dina Street<\/strong> \nCadela For\u00e7a \u2013 Chapter One: The Bride and Goodnight Cinderella (Brazil)<\/strong> \nSend me to sleep.<\/strong><\/p>\n\n

\"\"<\/figure><\/div>\n\n

Carolina Bianchi, a Brazilian artist, will close the festival week by working, through studio visits, on her new project \u201cCadela For\u00e7a \u2013 Chapter One: The Bride and Goodnight Cinderella\u201d. By rethinking the boundaries of women\u2019s art, a woman\u2019s position in performative art practices and the way some of them treated the issues of violence, abuse and neglect, the author will present the results of her seven-day work in the form of a performance. This unique theater prologue evokes the tragic story of the last performance by Italian performance artist Pippa Bacca, who was killed during her performance of \u201cBrides on Tour\u201d, and makes the author reflect on performance and theater while reviving the play that sends her to sleep. During her stay in Belgrade, Carolina Bianchi will be collaborating with applied music composer Irena Dragovi\u0107 Popovi\u0107. \n \n<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cAn Ongoing Song\u201d is a piece of visual and physical theater which addresses the issue of mistrust towards one own\u2019s body. 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